tag:blogger.com,1999:blog-44912102974147323812024-03-21T04:44:34.626-07:00Artes MagicaeMusings on traditional occultism, worldview and magical arts. Artes magicae includes articles on folklore, magic, philosophy, traditional ethics, forgotten lore, mystery cults, the western tradition, witchcraft, gnosticism and more! Artes Magicae is run by Rev. Dr. R.J. Thompson.R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comBlogger10125tag:blogger.com,1999:blog-4491210297414732381.post-36080162049583481852011-04-21T16:33:00.001-07:002022-02-01T06:28:03.095-08:00Easter: A Study Of Folklore and Legend For Gnostics, Occultists and Crafters<div align="JUSTIFY" style="margin-bottom: 0in;"><span style="font-size: small;"><span style="font-weight: normal;"><img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=artemagi-20&l=btl&camp=213689&creative=392969&o=1&a=B0000CKXTZ" style="border: none; margin: 0px; padding: 0px;" width="1" /><img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=artemagi-20&l=btl&camp=213689&creative=392969&o=1&a=B000EVSZUW" style="border: none; margin: 0px; padding: 0px;" width="1" />It may come as no surprise to those familiar with my dual-faith teachings, that I believe Easter to be a a feast that should be acknowledged and celebrated by mystics, Gnostics and occultists regardless of their religious persuasions. While literalist Christians celebrate a “real” resurrection of Christ at this time those of a mystical persuasion must look deep into this mythos and discover the real meanings behind it. In our search let us look first to the date of Easter. Easter is one of the moveable holidays in Christendom. The date is calculated be looking at the date of Passover, due to the fact that the Easter story was supposed to have taken place at this time. That is to say, Passover as it was believed to fall by early European Christians. Passover begins on the eve of the 15</span></span><sup><span style="font-size: small;"><span style="font-weight: normal;">th</span></span></sup><span style="font-size: small;"><span style="font-weight: normal;"> day of the Hebrew month of Nissan. The Hebrew calendar is a lunar one and each month begins the day that the first sliver of the moon can be seen following a new moon. This typically places Passover just following the full moon of Nissan. Easter falls on the Sunday following this date (or the Sunday during Passover) in some years. In other years the two can be a nearly a month apart. To simplify the calculation for those not familiar with lunar calendars, Easter falls on the first Sunday following the first full moon after the Vernal Equinox (known in the west today to be the first day of spring.) Easter, therefore, follows closer to early pagan celebrations of Eostre. Easter, thus can fall on any Sunday as early as March 22</span></span><sup><span style="font-size: small;"><span style="font-weight: normal;">nd</span></span></sup><span style="font-size: small;"><span style="font-weight: normal;"> and as late as April 25</span></span><sup><span style="font-size: small;"><span style="font-weight: normal;">th</span></span></sup><span style="font-size: small;"><span style="font-weight: normal;">. The date of this festival, therefore fell very close to Teutonic spring fertility festivals that had been celebrated at this time of year. As Christianity moved through the Roman Empire it began to encounter these cultures and many of their customs were assimilated. It bears mentioning that Easter was not even originally called such, but rather Pasch or Paschal which it is often called to this day in non English speaking countries.</span></span></div>
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<span style="font-size: small;"><b>The Goddess of Light and Life</b></span></div>
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<span style="font-size: small;"> According to the Venerable Bede the festival derives it's name from Eostre, an Anglo-Saxon goddess of spring fertility and light. A late variation of this goddess may be found in Grimm when he writes of the spirit Austra. She may be able to be traced back to the Greek dawn goddess Eos and some have speculated that her origins may be further east in Babylon as the fertility goddess Ishtar! Beyond even this the we can trace her to India and the word usr, meaning dawn. In Anglo-Saxon countries the month that corresponded with what would become the Gregorian April was named for this goddess and called Eostremonat. As with many late Christian feasts, the church adopted both the name and many of the customs associated with the springtime fertility revelries. </span> </div>
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<span style="font-size: small;"> When we stop and take a look at what the very word “light” means to the mystic and magical mind, we get a clearer look at who this “Dawn Goddess” might truly be. Light, of course, is a metaphor for mystical knowledge or gnosis. Thus the light bearing goddess of the spring is also the bearer of knowledge! In this way she is Sophia, the feminine, wisdom bearing principle of the Godhead to the Gnostic, otherwise known as the Holy Spirit. Sophia, much as Christ, had both her spiritual principle as well as an earthly one. In her earthly body she is Mother Earth and the cthonic goddess of death and the underworld (a highly initiatory station!) In her transcendent body Sophia becomes the bestower of light (Holy Spirit,) the Star Goddess and Queen of Heaven. In this representation we see the great mother goddess present in the forms of the Virgin Mary, Isis, Ishtar, Astarte and Eos. Also we see her dark side as the cthonic Hel, Holda or Kolyo. In her wisdom we see her reflected as the Tree of Knowledge, which it has been said that Sophia took the form of, and which the first humans ate of. This leads us to our next revelation of the Easter season.</span></div>
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<span style="font-size: small;"><b>The Living and Dying God of the Sun</b></span></div>
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<span style="font-size: small;"><b> </b></span><span style="font-size: small;"><span style="font-weight: normal;">For those on a mystical or occult path it is no new revelation that Jesus, as we are told of him today, is an amalgam of various deities from the ancient solar and agrarian mystery religions. Osiris, Mithras, Dionysus, Baal... the list goes on and all are living and dying gods of ancient mystery cults. Jesus is but the latest of these. The word Christ is derived from the Greek kristos meaning “anointed one” literally “the messiah,” as it were. Anointed being one who has been blessed or initiated by holy oil. Within Gnostic traditions there are those who have associated the Christ with divine fire, and thus gnosis as well. In this way Christ is represented by the sun (appropriate as He is an ancient solar deity) which sheds light upon the Tree of Life. This is telling as to the relationship between the “Son” and “Holy Spirit” in regard to our own gnosis and initiations. Of course, the old mystery traditions were concerned, often, with agrarian symbols, and thus this solar deity becomes important.</span></span></div>
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<span style="font-size: small;"> In these mysteries the Living and Dying God (or Christ as it were) dies that the people might live by the grain and vine. So it is with the Jesus myth. Jesus dies to save the souls of sinners in the literalist version of the myth. In reality this is an allegory that we can use for our own “salvation.” Man has always striven to be as god. According to the ancient wisdom the soul and spirit are not as one, as we are taught in the modern day. </span> </div>
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<span style="font-size: small;"> The soul contained the being as born in a human body, the spirit was just that, a spirit independent of the mortal coil. This spirit would correspond to what most in the modern world would deem to be the guardian angel. When the mortal coil died this guide would move on to guide a new body and fulfill it's fate. Now, the ultimate goal of these spirits is to reunite a Godhead that was shattered at the dawn of existence by overcoming “fate” or “karma” as many understand it today. This can be accomplished by uniting the soul, which exists only while the body lives and is the essence of every person, with the spirit. Here is the secret of all of the tales of wizards attempting rituals to become immortal. It was never meant to mean a physical immortality, but one meant to carry on a repository of knowledge and fate in future lives to aid in the recovery of the True God. This is the truth, as well, of what is called the “sacred marriage.” Within some sects this sacred union is the Cross itself and is represented by the sexual union and man and woman, tying us once again to fertility rites! How, might one ask are these feats achieved and in what secret rituals? It is simple indeed, the rituals meant to unite soul and spirit are hidden in plain sight with the Sacrament of Bread and Wine (body and blood) or Eucharist. This rite is an emulation of the death and resurrection of the Living and Dying God, or Yeshua/Jesus Christ. So we have one of the ancient mysteries revealed! Thus we see that the resurrection story is a mythical guide for the mystic or magician to follow.</span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> Further illumination of this topic is revealed in certain Gnostic ideals in which we see, within </span></span><span style="font-size: small;"><i><span style="font-weight: normal;">The Secret Book of John, </span></i></span><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">the goddess Sophia becoming the Tree of Knowledge itself. In Gnostic thought we see that the Tree of Knowledge and the True Cross are one and the same! This Gnosis and the Crucifixion are the same! The “lost” </span></span></span><span style="font-size: small;"><i><span style="font-weight: normal;">Gospel of Truth </span></i></span><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">has this to say of the Crucifixion:</span></span></span></div>
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<i class="western"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;"> “</span></span></span></i><i class="western"><span style="font-size: small;"><span style="font-weight: normal;">For this reason error was angry with him, so it persecuted him. It was distressed by him, so it made him powerless. He was nailed to a cross. He became a fruit of the knowledge of the Father. He did not, however, destroy them because they ate of it. He rather caused those who ate of it to be joyful because of this discovery.”</span></span></i></div>
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<i class="western"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">Thus we are led to the occult truth of the matter.</span></span></span></i></div>
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<i class="western"><span style="font-size: small;"><span style="font-style: normal;"><b>Symbols and Customs of Easter</b></span></span></i></div>
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<i class="western"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;"> So we come to the seemingly secular items found in our Easter tide, though secular they are not! The first of these that we shall delve into is that of the Easter Bunny, or more appropriately, the Easter Hare. Hares and rabbits were seen, in the old time, as symbols of fertility based upon their rampant reproduction. At one time, we are told, hares were considered to be an animal sacred to Eostre, and so figure prominently in her fertility rites. According to folklore the moon hare was supposed to have laid the great egg from which creation came. This bit survived as a curious piece of lore, for in some regions people believed that hares laid eggs for some time! Thus bringing us to our next Easter symbol.</span></span></span></i></div>
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<i class="western"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;"> Eggs may well be the most popular Easter symbol the world over. The origins of the Easter egg custom stem from two sources. The first being the obvious pagan fertility symbol, as one of the hangers on that made it's way into the celebrations after the conversion of the European peoples. This fits in very nicely with the studies that we have already made. The second reason for eggs at Easter (and why we hard boil them) is a bit more obscure. This has to do with the lenten fast. During the middle ages in Europe eggs were forbidden along with meats. So that people would not lose their eggs the would boil them and preserve them in other ways, thus when Easter Sunday arrived, eggs featured prominently into the feasts. Events such as egg rolling and Easter egg hunts date back to this early time period and it's festivities. The painting of eggs has many different sources. The most well know of egg dying traditions (that is, outside of the realm of mass produced egg dying kits in industrialized countries) is that of Pysanky. Pysanky is the method by which the people of Poland and the Ukraine dye their eggs using wax to preserve patterns and coloration. </span></span></span></i> </div>
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<i class="western"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;"> Yet another custom, often forgotten in the modern world, is that of the Easter Fires. The Easter Fires are one of many customs which most assuredly come from the pagan solar feasts. A fire was lit on Easter Sunday to honor the return of the sun. Later the Church adopted the custom (unable to stop it entirely) and made it to symbolize the resurrection. In some regions of Europe and effigy was burnt representing winter. In other areas the effigy symbolized Judas. In yet other regions this effigy was burnt upon a cross and called the “Easter Man.” Upon Easter Monday the ashes from the fire which had consumed the Easter Man would be strewn about the fields to make them fertile.</span></span></span></i></div>
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<i class="western"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;"> In some parishes the fires would be lit on Easter Eve instead of the Easter Morn. In these services all fires are extinguished within the parish. A candle known as the Paschal candle is lit from a great fire and used to relight all of the candles and lights within the church. The congregation bring sticks of beech, walnut or oak which they char in the fire. This is then used as an amulet to guard the congregant's home from lightning strikes and fires. The stick would be kept through the year and be burnt in the following year's Easter fire.</span></span></span></i></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: x-large;"><b>The Rite of Eostre</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"> Armed with the preceding information a group of properly trained occultists or witches might be able to perform the following rite in honor of Easter tide.</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>Ritual Preparation: All lights should be put out, save for those that are absolutely necessary to get about and, if needed, read. A fire should be built, but not lit, in the east or center. Sticks may be brought by each member of the coven/congregation if desired, for charring as protective charms. Following the ritual an egg should be buried on any members land whom will grow produce in the coming year.</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>The Compass is Drawn as normal</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>Invocation of the Master</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>Magister steps forward and rings the bell to the north:</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Prince of the air,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">You who baptize by holy fire,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Son of I Am,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Golden born Horn Child</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">That dies and descends into Hell,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">To rise again, and remember</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">King of Hell and Lord of Light,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Oh Great He on the Tree,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">I call to you with sorcerous words,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">I call to you of many names;</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Hesus, Osiris, Mithras, Jesus, Dionysus, Attis,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Adonis, Woden, Indra, Baal, Quirinus, Thulis, </span></span></span> </div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Sakia, Quetzacotl, Ascended Pythagoras, Prometheus</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">I beseech you risen Devil, King of Faerie, </span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Come let us adore you, </span></span></span> </div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">That we might learn your ways, </span></span></span> </div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">And our spirits become as your own!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>Invocation of Eostre</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Eostre,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Dawn Maiden,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Herald of the coming season</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Nurturer of all that grows,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Wake now from winter’s slumber,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">I call to you with sorcerous words</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Dawn Maid, Hare Queen I call:</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Eos, Eos Ostara; Eos Eos Eostre!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">I beseech you Queen of Hares,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Come Let us adore you,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">That we might bask in the glow of summer’s rays,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">And our spirits fly to the Sabbath Grave!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>The Arrival of Eostre</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>The Magister steps toward the fire and speaks:</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Long and cold has the winter been. Long have we awaited the warmth of the spring. Now we gather to celebrate the dawn upon the green Earth and the waking of the world. Now is the coming of Eostre, the Dawn Maiden. We celebrate as she wakens the sleeping Earth from winter’s waste. Behold, Spring is come!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>The Maid gestures toward the fire and says:</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Behold Dawn is come! Spring is come! Eostre has returned to the children of the green Earth!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>All draw three crosses before the fire. Candles are lit from the fire to illuminate the Compass. All who wish then proceed to the Eostre fire with their sticks in hand. The sticks are put into the fire briefly to be charred. The charred sticks are then taken and kept in the home for the next year as charms against fire and lightning. </b></span></span></span> </div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>All may then chant, or if chanting is not desired the Summoner or Magister may read:</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Greet we now our Lady,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Returning with the Spring.</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Bringing back the greening,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Swift and Swallows Wing,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Blessed now the hilltop, </span></span></span> </div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Blessed now the stream.</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Oak, ash and elder wood,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Wake from winter’s dream.</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Wake ye mystic rowan,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Enchanted hazel, HO!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Slumber not old willow</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Nor dread mistletoe.</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>A Mill is here tread while chanting:</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Eos, Eos, Ostara</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>Eggs are here blessed by the Magister and an offering given to the fire.</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>The Sacrament of Bread and wine is here performed.</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>Ending Declaration:</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">The Rites of Eostre are over,</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">Go now with the blessing of the Spring</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">And bound to the Risen Horned Master.</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">The Earth wakens in the dawn!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;">She shall feed Her children!</span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b>The Compass is swept away and implements retrieved.</b></span></span></span></div>
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<span style="color: black;"><span style="font-family: Times New Roman;"><span style="font-size: small;"><b><i class="western"><span style="font-style: normal;">Following the Rite the Magister may "anoint" the foreheads of the each attendee with ash from the fire to give Eostre’s Blessings</span></i></b></span></span></span></div>
R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-80746253552231716402011-03-17T19:18:00.002-07:002022-02-01T06:28:18.094-08:00St. Patrick and the Serpent of Wisdom<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLar-apOZ5WndHkPZTDeN5OBBRTuGSXD-GNkpRUVLWt91RVJNXIhBXSxbAgPTkvaEVyXEcIdrq25IKBFpGzq0UlspmmBe_rXIXtHcSdlCQHQqKRCX4tBid7r9jArXUBQOoCIlSHo9EeOE/s1600/patrick.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLar-apOZ5WndHkPZTDeN5OBBRTuGSXD-GNkpRUVLWt91RVJNXIhBXSxbAgPTkvaEVyXEcIdrq25IKBFpGzq0UlspmmBe_rXIXtHcSdlCQHQqKRCX4tBid7r9jArXUBQOoCIlSHo9EeOE/s320/patrick.jpg" width="185" /></a></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> Most people in the west are familiar with the story of St. Patrick driving the “serpents” out of Ireland, thus becoming a patron saint of the Irish. St. Patrick, however, was actually a Roman born in what is now Great Britain. He was the son of </span></span>Calpurnius and Conchessa, who were Romans living in Britain in charge of the colonies. Calpurnius, himself, the son of a priest by the name of Potitus. As a youth Patrick lived in the town of Bannaventa Berniae. It was in this town, that before the age of sixteen, Patrick was abducted and taken to Ireland as a slave. Patrick, later in life, came to the belief that he and the other slaves deserved to suffer as they had “turned their backs on God.” It was in captivity, however, that he turned to the Catholic faith. During his captivity he wrote: The love of God and his fear grew in me more and more, as did the faith, and my soul was rosed, so that, in a single day, I have said as many as a hundred prayers and in the night, nearly the same." He also wrote of his mystical experience in relation to this: "I prayed in the woods and on the mountain, even before dawn. I felt no hurt from the snow or ice or rain." When Patrick was twenty he had a dream in which his God spoke to him and told him to flee by reaching the coast. Patrick did as instructed <span style="font-size: small;"><span style="font-weight: normal;">and found sailors who took him back to Britain where he was reunited with his family. He then had another dream, this time of the people of Ireland saying: “We beg you, holy youth, to come and walk among us once more." Before returning to Ireland Patrick began his studies to become a priest. He was ordained by St. Germanus, the Bishop of Auxerre. Later, Patrick was ordained a bishop, and was sent to take the Gospel to Ireland. He arrived in Ireland March 25, 433, at Slane. According to the lore, Patrick was soon confronted by a chieftain named Dichu who attempted to kill him. A miracle happened and Dichu was unable to raise his arm against the bishop and converted to Christianity. Patrick worked to convert the Irish for forty years using the three leafed shamrock to as a symbol to explain the Trinity. In his confessions the one thing that Patrick seemed to regret was that he was ill educated.</span></span></div>
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<span style="font-size: small;"> If one follows the lore one begins to see the tale of St. Patrick driving the serpents out of Ireland. We have one piece of lore stating that the wand he used to drive the serpents into the sea was of hazel wood. It is said that with such a wand a person might draw a magic circle which no ill spirit can enter be it fairy, demon or any other mischievous spirit. In regard to driving out the snakes Lady Wilde had this bit of lore:</span></div>
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<i><span style="font-size: small;"><span style="font-weight: normal;"> “There is a lake in one of the Galtee mountains where there is a great serpent chained to a rock, and he may be heard constantly crying out, "O Patrick, is the Luan, or Monday, long from us?" For when St. Patrick cast this serpent into the lake he bade him be chained to the rock till La-an-Luan (The Day of Judgment). But the serpent mistook the word, and thought the saint meant Luan, Monday.</span></span></i></div>
<i> So he still expects to be freed from one Monday to another, and the clanking of his chains on that day is awful to hear as he strives to break them and get free.</i><br />
<i> In another lake there is a huge-winged creature, it is said, which escaped the power of St. Patrick, and when he gambols in the water such storms arise that no boat can withstand the tumult of the waves.”</i><br />
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<span style="font-size: small;"> Many people today, however, are also aware that the story, historically, is either bunk or a code. We know that there were no snakes in Ireland. It has been put forth in recent times that the driving out of serpents was actually a code referring to his conversion of the pagans in Ireland. This is only partially accurate, if this is the real meaning, as certain pagan beliefs persisted there long after Patrick's demise. It is a likely explanation, however. </span> </div>
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<span style="font-size: small;"> Interestingly, however, there may be a metaphysical explanation to this association with serpents. That is to say that the ancient spiritual entity associated with the serpent by animistic cultures may be surviving within the worship of Patrick, and that the story of the serpents is but a sign to guide those who seek it's wisdom or light. This entity may be most commonly observed as Ouroboros, the serpent who bites it's own tail, representing infinity, amongst other mysteries. To the ancient Celts the serpent was a complex animal. It's associations were creation, fertility, rebirth and healing. This is interesting as the Vodoun Lwa Damballah, a serpent deity, is also associated with creation and fertility as well as wisdom. Wisdom, of course being the main correspondence of the serpent mentioned in the Book of Genesis that gave the gift of knowledge and wisdom to mankind. According to Vodoun tradition he is the creator god, as demonstrated here:</span></div>
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<span style="font-size: small;"><i> Long ago, the serpent spirit Damballah created the world. Damballah used his 7,000 coils to form the star sand the planets in the heavens and to shape the hills and valleys on earth. By shedding the serpent skin Damballah created all the waters on the earth. And when the sun showed through mist settling on the plants and trees a rainbow was born. Her name was Ayida Wedo. Damballah loved her and made her his wife. They are still together today, the serpent and the rainbow. Damballah and Ayida Wedo.</i></span></div>
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<span style="font-size: small;"> Damballah's color is white and so is offered white things, most notably white eggs. It is also interesting to note that Damballah is represented by St. Patrick in Vodou. This all gives a bit to ponder on whether “St. Patrick” as a legendary figure is in fact a representation of The Great White Serpent of Light.</span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> We can look closer still to see the connection of this entity to creation in the old testament. When the people of Israel were plagued with “fiery” serpents and were filled with their venom, Moses was told to erect a pole (often depicted as a tau cross) and “lift up” or hang a serpent of bronze upon it (the Brazen Serpent.) When the people beheld this graven image they would be healed. Links between the Brazen Serpent and Jesus Christ have been made in sermons for over one hundred years. We can see this demonstrated in the sermon </span></span><span style="font-size: small;"><i><span style="font-weight: normal;">The Mysteries of the Brazen Serpent,</span></i></span><span style="font-size: small;"><span style="font-weight: normal;"> delivered on September 27, 1857, by the Rev. C. H. Spurgeon in which he says:</span></span></div>
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<span style="font-size: small;"><i><span style="font-weight: normal;"> “Allow me, then, dear friends, to describe first, </span><b>the people in the wilderness</b><span style="font-weight: normal;">—the representatives of men who are sinners. Let me describe next, </span><b>the brazen serpent</b><span style="font-weight: normal;">—the type of Jesus Christ crucified. Let me then note what was to be </span><b>done with the brazen serpent</b><span style="font-weight: normal;">—it was to be lifted up; and so was Christ to be lifted up. And then let us notice what was to be </span><b>done by the people who were bitten</b><span style="font-weight: normal;">—they were to look at the serpent; and so sinners must believe in Christ.”</span></i></span></div>
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<span style="font-size: small;"><i><span style="font-weight: normal;"> </span></i><span style="font-style: normal;"><span style="font-weight: normal;">The Bible itself compares the two stating:</span></span></span></div>
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<span style="font-size: small;"><i><span style="font-weight: normal;">"And as Moses lifted up the serpent in the wilderness, even so must the Son of man be lifted up: That whosoever believeth in him should not perish, but have eternal life."</span></i><span style="font-style: normal;"><span style="font-weight: normal;">—John 3:14. </span></span></span> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYpeiCnqqnmHPb05vJnP8zfUsJPTKwjo31CYluICL33k0VAp0M5DjbhdkSZEZxtWzzoY6fXNeZgfVqK3z45ce3Ak95BQjVe5eZOBBczdu8WTfRYyjNm6NEzEKXp5TFgTgLbH56t9enUGM/s1600/brazen+serpent.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYpeiCnqqnmHPb05vJnP8zfUsJPTKwjo31CYluICL33k0VAp0M5DjbhdkSZEZxtWzzoY6fXNeZgfVqK3z45ce3Ak95BQjVe5eZOBBczdu8WTfRYyjNm6NEzEKXp5TFgTgLbH56t9enUGM/s320/brazen+serpent.png" width="320" /></a></div>
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<span style="font-size: small;"><i><span style="font-weight: normal;">Woodcut of the Brazen Serpent</span></i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIzIiLUQj5pwlR91ppYcxMIeEDu7Lb4725w1IwsA9pv6fx8KRP0OFmQdBf48j0ARzGsBZJIjJsLk3vsH3P-XvSzGMUYQ64UyrfhtTkPCjNlPPWTQZgSH3Y8yJyxOVMfNBVM1kui7Xk8i8/s1600/damban.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIzIiLUQj5pwlR91ppYcxMIeEDu7Lb4725w1IwsA9pv6fx8KRP0OFmQdBf48j0ARzGsBZJIjJsLk3vsH3P-XvSzGMUYQ64UyrfhtTkPCjNlPPWTQZgSH3Y8yJyxOVMfNBVM1kui7Xk8i8/s1600/damban.gif" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWhhy0gYdAzrbpqdQhf3dWRGGuKWvxGBIo3FjZDpSYXJK_MPiUgfPj0MNc4bAaY1icGSZAAJkZcT6BLAS4lP0AJBpKUh9nNchDM-fAwftdU73kBbrVZGcW-XwtxoEdTTCGLaOObH4x-wI/s1600/veve2.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWhhy0gYdAzrbpqdQhf3dWRGGuKWvxGBIo3FjZDpSYXJK_MPiUgfPj0MNc4bAaY1icGSZAAJkZcT6BLAS4lP0AJBpKUh9nNchDM-fAwftdU73kBbrVZGcW-XwtxoEdTTCGLaOObH4x-wI/s320/veve2.png" width="306" /></a></div>
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<span style="font-size: small;"><i><span style="font-weight: normal;">Vodoun Veves of Damballah</span></i></span></div>
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<span style="font-size: small;"><i> </i><span style="font-style: normal;">With these connections we can clearly see the connection of the serpent to a creative, healing and fertility deity! Let us remember that Jesus Christ is the Christian variant of the Living and Dying Sun God who governs the fertility of the crops in the agrarian mystery traditions!</span></span></div>
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<span style="font-size: small;"><i><span style="font-weight: normal;"> </span></i></span><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">I suppose that the next topic in regard to St. Patrick and the serpent (or St. Patrick </span></span></span><span style="font-size: small;"><i><span style="font-weight: normal;">the </span></i></span><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">serpent) is the question, what can the mystic or magician do in honor of this entity/saint should they choose to? Well, for one who is either Catholic or Vodoun this has easy answers within their own traditions. For others the answer may be harder to answer. The magician from a family of Irish descent may choose to honor this entity, and what to do then? Well, we can attempt to synthetically utilize information that we have already covered. Firstly, as a simple form of communion one could leave an offering appropriate to the serpent. As noted before, in the Vodoun tradition the serpent likes things that are white. A traditional offering is that of a bowl of white flour with and egg in the center, both being symbols of creation. The former offering is a symbol of the work and creation made by mankind, the later a symbol of the divine creation of the universe. Very appropriate for such a deity! To further correlate this offering with out saint/entity we could make this offering upon St. Patrick's Day (March 17</span></span></span><sup><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">th</span></span></span></sup><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">.) Another way of honoring the saint may be to add his own prayer to one's spiritual devotions. It is known as </span></span></span><span style="font-style: normal;">"St. Patrick's Breast-Plate.” It is said that it was composed and prayed when he prepared to confront and convert the Celtic pagans of Ireland. It can, by the magician and mystic, be used in a slightly different manner, as we shall see.</span></div>
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<i><b>St. Patrick's Breast-Plate</b></i></div>
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<i>I bind to myself today<br />
The strong virtue of the Invocation of the Trinity:<br />
I believe the Trinity in the Unity<br />
The Creator of the Universe.</i></div>
<i>I bind to myself today<br />
The virtue of the Incarnation of Christ with His Baptism,<br />
The virtue of His crucifixion with His burial,<br />
The virtue of His Resurrection with His Ascension,<br />
The virtue of His coming on the Judgment Day.</i><br />
<i>I bind to myself today<br />
The virtue of the love of Seraphim,<br />
In the obedience of angels,<br />
In the hope of resurrection unto reward,<br />
In prayers of Patriarchs,<br />
In predictions of Prophets,<br />
In preaching of Apostles,<br />
In faith of Confessors,<br />
In purity of holy Virgins,<br />
In deeds of righteous men.</i><br />
<i>I bind to myself today<br />
The power of Heaven,<br />
The light of the sun,<br />
The brightness of the moon,<br />
The splendour of fire,<br />
The flashing of lightning,<br />
The swiftness of wind,<br />
The depth of sea,<br />
The stability of earth,<br />
The compactness of rocks.</i><br />
<i>I bind to myself today<br />
God's Power to guide me,<br />
God's Might to uphold me,<br />
God's Wisdom to teach me,<br />
God's Eye to watch over me,<br />
God's Ear to hear me,<br />
God's Word to give me speech,<br />
God's Hand to guide me,<br />
God's Way to lie before me,<br />
God's Shield to shelter me,<br />
God's Host to secure me,<br />
Against the snares of demons,<br />
Against the seductions of vices,<br />
Against the lusts of nature,<br />
Against everyone who meditates injury to me,<br />
Whether far or near,<br />
Whether few or with many.</i><br />
<i>I invoke today all these virtues<br />
Against every hostile merciless power<br />
Which may assail my body and my soul,<br />
Against the incantations of false prophets,<br />
Against the black laws of heathenism,<br />
Against the false laws of heresy,<br />
Against the deceits of idolatry,<br />
Against the spells of women, and smiths, and druids,<br />
Against every knowledge that binds the soul of man.</i><br />
<i>Christ, protect me today<br />
Against every poison, against burning,<br />
Against drowning, against death-wound,<br />
That I may receive abundant reward.</i><br />
<i>Christ with me, Christ before me,<br />
Christ behind me, Christ within me,<br />
Christ beneath me, Christ above me,<br />
Christ at my right, Christ at my left,<br />
Christ in the fort,<br />
Christ in the chariot seat,<br />
Christ in the poop [deck],<br />
Christ in the heart of everyone who thinks of me,<br />
Christ in the mouth of everyone who speaks to me,<br />
Christ in every eye that sees me,<br />
Christ in every ear that hears me.</i><br />
<i>I bind to myself today<br />
The strong virtue of an invocation of the Trinity,<br />
I believe the Trinity in the Unity<br />
The Creator of the Universe.</i><br />
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If we are to remove the following superstitious lines: </div>
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“<i>Against the black laws of heathenism, Against the false laws of heresy, Against the deceits of idolatry,” </i> </div>
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we end up with a very good incantation for the magus and mystic alike! With these lines in proper interpretation the prayer could remain intact. Even the segment which states “ <i>Against the spells...” </i>can be a good protection to the practitioner. A portion may even be vaguely familiar to the practicing magician today, beginning with “<i>Christ with me...” </i>as similar directional devotions can be found in the old grimoires and the pentagram rituals of the Golden Dawn. In addition to these things, even calling upon Patrick in prayer and ritual as both saint and serpent may allow a level of communion and allow the light of truth to be known to the practitioner. That, after all is the true purpose of gnosis and mystical light.</div>
R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-84155907283837765922011-03-08T12:59:00.001-08:002022-02-01T06:28:30.218-08:00The Meaning of Lent and Fasting to the Occultist, Mystic and Gnostic<div align="JUSTIFY" style="font-weight: normal; margin-bottom: 0in;">
<span style="font-size: small;"> I begin this writing on the day before Ash Wednesday. It is known as Shrove Tuesday, Fat Tuesday, Pancake Day, Goodish Day, Paczki Day, Mardi Gras and various other names depending upon where you are and who you might happen to ask. The commonality held between the varying traditions of this day is excess. That's right, excess. Let us look a a local custom from my home region of Detroit, MI. The tradition of Paczki Day or Fat Tuesday comes from the local Polish Catholic community, but has moved on to be a tradition followed by most locals. This day we indulge in paczki's (pronounced poonch-kee.) A paczki is a pastry, not unlike a doughnut, filled with either jellies, cream cheese or custard. The little pastry has enough fat and calories to give an elephant a heart attack, so one is typically enough indulgence for one day. Paczki's are also a seasonal food, typically only made on this day and the days leading up to it. In addition to sweets and fatty foods, many old traditions hold carnivals and games upon this day as well. So, the key to this celebration is indulgence. Now we get to the point, why all of these feasts of excess?</span></div>
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<span style="font-size: small;"> This brings us to the point of Lent itself. The word Lent seems to have it's origin in a Teutonic wording meaning Spring. Lent is a time of fasting, prayer, meditation and penitence to prepare the individual for the coming of Holy Week and Easter, according to Christian tradition. Thus Shrove Tuesday was acknowledge, by church officials, as a day for the people to be “shriven” of their sins in preparation of this time. As we have already seen, the common folk seem to have always had another agenda when it came to the day before a fast. To the Christian world the fast last for forty-seven days (from Ash Wednesday until Easter Sunday.) The actual duration is rounded to forty days, as Sundays are not counted and, though the fast continues, the official end of Lent is on Holy Thursday (the Thursday before Easter.) The fasting (or rather abstaining) for forty days is done in direct imitation of Christ's forty day fast in the desert. There were traditionally three different facets to the practices found in Lent. The first is prayer or Justice Toward God. The second is fasting or Justice Toward Self. The Third is alms giving or Justice Toward Neighbors. The chief amongst these that is practiced by people today is fasting, prayer being a day to day practice of faithful persons. It was, at one time prescribed that abstaining from meat products be done during Lent, hence the popularity of “Fish Fry's” during this time and the popularity of fish sandwiches on fast food menus. This prescription was later lifted and enforced only on Fridays. Orthodox Churches hold a five degree system when it comes to fasting. </span> </div>
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<span style="font-size: small;">I Abstaining from meat</span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">II </span></span>Abstaining from meat, eggs, milk, butter, and cheese </div>
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III Abstaining from meat, eggs, milk, butter, cheese and fish</div>
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IV Abstaining from meat, eggs, milk, butter, cheese, fish, oil, and wine </div>
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V Abstaining from all foods and beverages except bread, water, juices, honey, and nuts </div>
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Now we come to the point. The spiritual discipline of fasting is something that should be experienced and practiced by all spiritual disciples, whatever their faith. The Gnostic Christian, the witch, the mystic and the magician alike should all look to fasting as a practice to help lead them to light. In fact there are prescriptions for fasting found in several of the old grimoires. The act of fasting meditation and prayer during the lenten season might lead any spiritual person to a greater understanding of the mysteries. It has also been theorized that fasting as a spiritual discipline can lead to a greater level of communion with one's own spirit, that which has been variously called the Holy Guardian Angel, the Higher Self, the Fetch, the Daimon, etc. This in turn can lead us to a greater understanding and communion with our god(s) and with the Godhead itself. This might be amplified by fasting in such a way during the season of Lent, as it leads to the resurrection of the Son of God (Sun God) and Living and Dying King, whom the mystery traditions might prescribe that we all emulate in order that we might live and die and live again and remember what had passed before. If this is not enough the will power needed to fast and it's development should be a desire of all students of the mystery's as well as occultists! It is, in all ways an exercise in the mystical betterment of the self. Thus I call to all mystics, Gnostics, occultists and other students of the Art to join with me in the Lenten season and fast, as we should, to better ourselves and be closer to the world of spirit. After all, is not fasting a long honored spiritual discipline in traditions the world over?</div>
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I do not prescribe beginning with such fasts as the Orthodox Church prescribes above, but rather abstaining from one thing that is a commonality in your life. This should be a thing that the practitioner enjoys greatly and partakes of on a regular basis, at least once a week to once or more times a day. Foods are always a good way to go, as we develop cravings for foods that we enjoy on a regular basis. Once the thing has been picked it must be gone without for the forty days of Lent. Once Lent has begun whenever a craving, desire or even the opportunity to partake of he chosen thing arises , it should be replaced with prayer, meditation or a spiritual/magical exercise. This brings us closer to spirit and farther from the material world. On a more base level this practice makes the individual more disciplined in all things. Using these guidelines I ask the reader to partake in this spiritual fast every Lent, and see what light can be gleaned from the practice.</div>
R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-26883898534405707332011-02-07T16:36:00.001-08:002022-02-01T06:28:44.695-08:00Candlemas and The Land Ceremonies Charm<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsbtp3F0VsMd7OK1RHGslopC-uIvCu_MyGFgxBXFQ75lp7kU7nzStMBHIMQe_NZB43e-LVGZ8D7h443dbWcwfFq5ZwonfMohmhtYt5mMgpW1_r6NlPwvcJWdtROICxH19be-VDiBz71uw/s1600/stbrigidscross99x.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsbtp3F0VsMd7OK1RHGslopC-uIvCu_MyGFgxBXFQ75lp7kU7nzStMBHIMQe_NZB43e-LVGZ8D7h443dbWcwfFq5ZwonfMohmhtYt5mMgpW1_r6NlPwvcJWdtROICxH19be-VDiBz71uw/s1600/stbrigidscross99x.jpg" width="313" /></a></div>
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<span style="font-size: large;"><b></b></span><br />
<span style="font-size: large;"><b>Candlemas and Brigid</b></span><br />
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Where can one begin in relation to this rich subject? I suppose that one would begin with the old festival of Imbolc (also Imbolg and Oimelc,) literally, “ewe's milk,” celebrated on February first. This would mark the time when the ewe's were milked at the beginning of spring. It has been suggested by some authors, that the name implies purification, which many of it's rites have included, based upon the theory that the word used to denote milking is derived from an Indo-European root word meaning purification, but I have seen no evidence of this. <br />
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Regardless of the origins of this feast day it later became dedicated to the goddess/saint Brigid/Brigid/Bridget/Bride. Brigid was, and is a patron goddess/saint of poetry, the hearth, family, healing, metal-working (thus making her important within smith honoring Craft traditions,) fire, and education. In certain regions she also seems to have held an association with battle, animals and nature in general. It bears mentioning that there have recently been several authors to question her relation to fire. All associations aside, it is somewhat unclear how the goddess/saint became linked with the festival. What we can be sure of, is that she was most certainly associated with the day by the dawn of the modern era. <br />
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By the eighteenth and nineteenth centuries tradition held that Brigid would visit the homes of the virtuous on the eve before her feast day. During this time it was customary to place a cloth, ribbon, garment, etc. upon the window-sill overnight to be blessed by the goddess/saint in her passing. Supposedly, this would then protect the wearer from headaches. It was also customary to hold a formal dinner to mark the passing of winter on her feast day. A portion of this feast, often bread or a cake, was placed on the same sill as an offering to the passing goddess/saint. St. Brigid's Crosses were also woven from rushes and hung over doorways or in rafters as a greeting to her on her holy day. These crosses have four equal arms and bear some resemblance to the swastika.<br />
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Another custom celebrating Brigid was to dress straw doll in clothing and decorate it with shells, stones, crystals, flowers and jewelry. These decorations would be added to the doll as it was taken in a procession from house to house where homage was paid to it. In some regions the procession was conducted by the young women who would wear all white as a sign of their purity and youth. The elder women would have a bed made, often of straw, for the effigy of the “Bride” next to which a wand made of a “feminine wood” was placed. A chant would accompany this in similar manner to: “Brigit, Brigit, come over, thy bed is ready,” “Bride, Bride, come over and make your bed,” or “Bride, Bride, come in, thy bed is made. Preserve the house for the Trinity.” The morning following this celebration the ashes of the fire would be studied to see if the goddess/saint had truly visited the household. If a mark was found, it was a good sign. If no sign of the Bride was seen it was an ill omen. The remedy for such an ill fate was to bury a cock at the crossing of three streams and to then burn incense on the household fire before next laying down to bed. </div>
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In England, it should be noted that this day is associated with the stirring of hibernating snakes. A charm against such goes like so:</div>
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Today is the day of Bride,<br />
The serpent shall come from the hole,<br />
The queen will come from the mound,<br />
I will not molest the serpent,<br />
The serpent will not molest me.<br />
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To the witch there is obvious symbolism found herein. The queen coming from the mound is the resurrection or reincarnation of the spring goddess upon the Earth. The serpent in this instance could be an actual serpent, or on a more esoteric level, symbolize a “second winter.” This charm would be a call to the emerging goddess to guard the land against the second winter (or late ending winter) or else protect the petitioner against the fangs of snakes. On a note that will sound closer to home for some traditional crafters, this could also be the queen coming forth as the spring goddess and the serpent representing something more positive, the revitalization of the power of the Land.<br />
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In later times these St. Brigid's Day customs were often celebrated in conjunction with the festival of lights, Candlemas, honoring the purification of the Virgin Mary on February second. This day was said to mark the return of Mary to the temple in Jerusalem to be purified after giving birth to Jesus Christ. On Candlemas day, new candles would be blessed upon the high altar in the church. Some of these candles would be burnt before the image of the Virgin, while others were taken home and burnt to protect against storms and sickness. From these customs we get our name “Candlemas.” This custom may be traced back to Roman times when people would process through the streets (not unlike the Bride custom) bearing candles and torches in honor of the goddess Februa (namesake of the month February) who was the mother or Mars. This practice was eventually banned by the Church and the custom of lighting candles for the Virgin was thus instated. This was also seen as a time for purifying the self. Brand has this to say of the adaptation of the custom in his Popular Antiquities: “he (the Pope) thought to undo this foule use and custom, and turn it into God's worship and that of our Lady's.” Somehow this was supposed to have “hallowed” the old Roman festival. There was a particular divination associated with Candlemas night and the held in Ireland. On Candlemas night candles are named after each member of a family and then lit. The first to burn out is the first to die, and so on to the last.<br />
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In the northern countries the Anglo-Saxons would give offerings of cakes to their gods during the month of February which they called “Sol-monath” or “Cake Month.” I have also seen this festival referred to as “Disting.” This custom can be seen in the “Land Ceremonies Charm” of the eleventh century. It bears mention that this could be the origin of the customary leaving a cake or loaf of bread for Brigid. The festival of lights, however, had much appeal upon it's arrival in these northern countries where the winters were quite dark and cold, more so than in Mediterranean Rome. <br />
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The whole of the Candlemas celebration was meant to honor the first stirrings of spring, though spring does not always stir at this time of year in the temperate regions of the world. Because of this association, much weather lore has become associated with these days. The most popular bit of lore in my native North America, is that of Groundhog Day. On February second, the legend says, the small groundhog shall emerge from his home in the earth from a long winter of hibernation. If he sees his shadow and flees back into his home, six more weeks of winter are said to follow. If, on the other hand our rodent protagonist does not flee but stays out and about, an early spring will befall us. There is another adage that states: <br />
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If Candlemas be fair and clear,<br />
Two winters will you have this year.<br />
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Winter on continental Europe may well be on it's way to ending by this time, but in America, it is not always so. Those born in my native Michigan, or on the New England coast can testify that there have been many winters in which fair whether has broken in February only to lead to more harsh blizzards following into the early so called “spring.” There is a rhyme which warns the farmer of this “second winter” and have him take the proper precautions:<br />
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Half the wood and half the hay<br />
You should have on Candlemas Day.<br />
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This is a very true statement in the northern continental states. These fortifications would be very necessary for the early American farmer to survive the foul “second winter” so common to our shores. This weather lore may quite possibly bear a connection to the emergence of the spring goddess or Bride of antiquity!<br />
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It is worth mentioning that the festival of lights falls at a time when, although frigid in northern climes, the days begin to become noticeably longer, thus we get the celebration of the waxing light or festival of lights. In many Craft communities this waxing of light heralds the coming of spring and so Candlemas/Imbolc, though still in the heart of winter's bitter cold, marks the beginning of the spring quarter and is marked by the sigil of the five branched stave which represents the hand held up with five fingers raised. In some covens the festival of Candlemas also marks the beginning of the ritual year. In certain variations of the myth of the coming of spring from winter the hag goddess imprisons the maiden goddess of the spring in the late autumn only to find her rescued by a gallant knight when the tide of Candlemas arrives. While in other tales they are the same goddess who grows old in the autumn twilight and is made youthful again at Candlemas by drinking from a well of youth or some other mystical means. </div>
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<span style="font-size: large;"><b>The Land Ceremonies Charm of the Anglo-Saxons</b></span><br />
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The Land Ceremonies Charm is often quoted or misquoted in modern pagan ritual and magic, though I wonder how many of these would be magicians know the origins of the words that they speak. For any educated pagan, some of the words found within this charm should seem familiar. The charm itself dates back, at least, to the early eleventh century. It may well be that this was a series of separate charms strung together to make one great and impressive ritual. The purpose of the rite would seem to be an assurance that a crop would thrive. Many pagan elements would seem to be present in the rite, though the written variation which survives today is very much a Christian one, going as far as to require a mass priest to fulfill certain functions. I will here summarize the rite. <br />
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The Land Ceremonies Charm begins by stating that it is a remedy to improve crops and land that will not properly produce, or to remove any ill tidings and bewitchments placed upon the land. It then goes on to state that one should go by night and dig up four tufts of earth, one from each corner of the land to be cured. It then states that honey, oil, milk, and yeast from each beast living upon the land (livestock) and one sprig of each “nameable” plant growing upon the land excepting the buck-bean. Holy water is then to be applied and allowed to drip three times upon the underside of the tufts. Then the practitioner must say: Grow and multiply and fill the earth, followed by three Our Father's. <br />
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Following this the tufts must be taken to a church and the “mass-priest” must sing four masses over the tufts while the green side faces the altar. The tufts are then returned to their places of origin upon the land before the sun sets and one aspen cross is placed beneath each. Upon the four arms of each cross must be written “Mathew, Mark, Luke and John.” These crosses are placed in the bottom of each hole and the tufts are placed over them. The words Cross of Matthew... and likewise for each are are uttered over the crosses before placing the tufts over them. Following these steps the words “Grow, etc...” are said nine times followed by an equal number of Our Father's. Then the practitioner must bow nine times to the east and say:</div>
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Eastwards I stand, for favors I ask,<br />
I ask the glorious Lord, I ask the great God,<br />
I ask the Holy Guardian of Heaven, <br />
I ask the earth and heaven above <br />
and the just, holy Mary<br />
and the heaven's might and the high hall,<br />
that I might be able this charm, by the grace of God<br />
with my teeth intone with fixed purpose<br />
make these crops start growing for our benefit,<br />
fill the earth with firm faith<br />
beautify the surface for the prophet said <br />
that he should have recompense on earth who alms <br />
distributed justly according to the Lord's will.<br />
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Following this the practitioner must turn thrice clockwise then lie down at full length, recite the Litany followed by the Sanctus. Then the Benedicite must be chanted with arms outstretched followed by the Magnificat and the Lord's Prayer, thrice. The land must then be commended to Christ and Mary and to the honor of the land owner. <br />
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As if this were not elaborate enough, there is more to follow. An unidentified seed must be taken from “a charity seeker” and paid twice what it is worth. All of the ploughing gear is gathered together and in the wood is inserted the seed, frankincense, fennel, hallowed paste, and hallowed salt. This would take the place of some form of plough blessing. The seed is placed in the body of the plough and is done lastly with the words:</div>
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Erce, Erce, Erce, Mother of Earth<br />
may the Almighty, the Eternal Lord, grant you<br />
fields growing and thriving<br />
increasing and strengthening, <br />
tall stems, fine crops<br />
both the broad barley <br />
and the fair wheat <br />
and all of the crops of the earth.<br />
May God eternal grant<br />
and his saints that are in heaven,<br />
that his crops be protected against any and all enemies,<br />
and be guarded against ills of any kind,<br />
against the sorcery spread throughout the land.<br />
Now I pray the Creator who made the world<br />
that there should be no woman so word-skilled, no man so cunning<br />
as to be able to change the words thus spoken.<br />
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The plough is then driven forth to cut the first furrow while saying: <br />
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Greetings to you, earth, mother of men!<br />
May you be full of growth in God's protecting arms,<br />
filled with food for the benefit of mankind.<br />
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Then meal of each type grown upon the land is taken and a loaf of bread as broad as the palm of a hand is baked, kneaded with mild and holy water and lain in the first furrow. This is then recited:</div>
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Field full of food for man,<br />
brightly seeding, you shall be blessed<br />
in the holy name that created this heaven<br />
and this earth that we live on;<br />
may the god who made these grounds grant us the gift of growth<br />
so that for us each grain shall come to fulfillment.<br />
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Then the following is said thrice: Grow in the name of the Father, be blessed. Amen. Followed by the Lord's Prayer thrice. With this the charm is done.<br />
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The pagan and Christian elements are both obvious in the rite, and it is quite likely an old pagan rite later claimed by the Church. One can see by reading this rite how it might be appropriate to the festival of Candlemas and the waxing light. It is only appropriate for such a fertility rite to take place in the dawn of the season of fertility and planting. This was one of my first impressions when I first came into contact with this rite. As such, I have adopted it's use as an agrarian ritual for use within traditional covens at the tide of Candlemas. </div>
R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-87912443837617522562010-12-14T15:30:00.001-08:002022-03-02T06:37:38.762-08:00The Mother Nights Spiral: A Rite To Be Performed In Winter While the Sun Stands Still<i>A Compass Round or Ring of Art is not necessary to perform this rite. A spiral of evergreen boughs is created and should be connected, in some way, to the Underworld. At the center of this stands the Maid or Magister with a candle from which all other candles shall be lit. It can be adapted for personal use by simply lighting a candle in the center. </i> <br />
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<i><b>Invocation of the Master:</b></i><br />
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<b>Magister steps forward and rings the bell to the north:</b><br />
Master<br />
Lord of the World Below, I invoke you<br />
I call you to bear witness to the Art,<br />
Come to bear witness to the praise of you merry band,<br />
It is the Sabbath!<br />
Now is the time of the primal Misrule!<br />
I call you to rise here, great Devil,<br />
I call to you as a witch,<br />
I call to you as a sorcerer calls,<br />
Bound by oath and blood and mark to you.<br />
Come hither, I call in your name!<br />
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<i><b>Acknowledgment of Fate</b></i><br />
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<b>Maid says:</b><br />
I come in the name of She that is All!<br />
I stand between worlds!<br />
I stand within the Castle the turns without motion,<br />
Beyond the great River,<br />
Beyond the Hedge,<br />
In the Land of the Pale Folk!<br />
I stand before Her throne!<br />
I come before Holda,<br />
She that rides upon the Goose,<br />
And spreads snow across the Earth,<br />
And know that I am but a strand of She.<br />
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<i><b><br />
</b></i><br />
<i><b>Acknowledgment of Misrule</b></i><br />
<b><br />
</b><br />
<b>Summoner:</b><br />
Now is the time of Misrule! Now is the end of the year! The time that reminds us, we are at in the wee hours of dawn, a time of primordial Misrule, before the birth of a new aeon! Now is the time of Chaos, a time between times, when the Sun stands still! No we are reminded of the time before times, when Chaos reigned, before the gods struck against the chaotic forces, oft called giants. Now is the time when the Lord of Misrule reigns, and know that in the past it was so! In the times before, when the Sun stood still, Misrule and Chaos ruled in the cities of men, and all was reversed, for the gates of life and death stand open at this time. The Wild Hunt rides the night skies, and spirits walk the earth! So do we honor Misrule, for we are between times, and He reminds us of the times that came before, and gives we of the shunned ways hope for the new aeon!<br />
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<i><b>Treading the Spiral</b></i><br />
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<b>Magister stands before the entrance of the Spiral:</b><br />
In this time of Misrule, as the Sun stands still, we must guide those of spirit home to us, and show them the way back to the Underworld. So we gather here, before this crooked road, a Spiral which descends down and around and within, to the very depths of Hel! Within we shall find the Castle, and within, the Lady. Each shall bring forth the Need Fire from the Underworld to light the way home, for both Sun and spirit! Come forth, you who would call yourselves witch, come and bring light to the spirits that walk the cold dead Earth!<br />
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All congregants gather at the entrance to the Spiral. The Magister admits them, a few at a time to tread widdershins inward until they have reached the center. Each, in turn, will then light a candle given to them by the Mother in the center. She lights each candle and as the congregants tread outward, deosil, the will pick a spot at the edge of the Spiral to set the light down. While the Spiral is being tread, congregants on the outside may sing songs appropriate for such a rite. When all are finished the Magister enters and he followed by the Mother exit the Spiral in the same way , leaving their own candles.<br />
<b><br />
</b><br />
<b>The Magister Speaks:</b><br />
It is done! Behold the Spiral is alight! The road home is clearly shown! Let the Sun return, and the dead with it! The time of Misrule will come to pass, and all will be as it should be.<br />
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<b>The Maid Speaks:</b><br />
Come now, and feast with us, in honor of those who have gone before, and those who now ride in the Wild Hunt, across the clear night sky!<br />
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A sacrament of wine and bread can here be performed in honor of those who ride the night skies, if it is so desire, or a plate can be set for them during a group feast, so long as the are acknowledged and given proper tribute.R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-22202418224680708412010-10-25T11:02:00.001-07:002022-03-02T06:37:55.356-08:00Book Review: "Balkan Traditional Witchcraft" By Radomir RisticI had long been awaiting the publication of this book. After several years of waiting for the English language edition, I am not the least bit let down by it. Not only does this book give many examples of the folk magic side of witchcraft in the Balkan's, the studies given in the book show a philosophical side to the approach that may astound any reader familiar with British Traditional Craft. That is to say, astounded, not so much in surprise, but rather by the similarities in the philosophical bent of both witch cults. This work proves that the witchcult of Europe has roots in a core tradition. Those familiar with the British witches' worship of the Horned God and Mother Goddess figures will see here that this belief stretched across Europe. In addition the author interviews, as well as photographs, old practitioners of Balkan craft. In some instances entire traditional rituals are revealed to the reader. There is also a wealth of correspondence in this book, from herblore to the lore of color and number. This book comes with the highest kudos from this author!<br />
<br /> R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-18247475153733844822010-08-05T20:08:00.001-07:002022-03-02T06:41:07.257-08:00The Fetch: The True Spirit and the Meaning of Life<div style="text-align: justify;"><span style="font-size: large;"><span style="font-size: small;"><i>This is the second post in relation to the human soul complex. </i></span></span></div>
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<span style="font-size: large;"><b>The Fetch: <br />
The True Spirit and the Meaning of Life</b></span></div>
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The fetch has been known and misunderstood under many guises that we as humans have ascribed to it. The following are just a few of our (mis)conceptions of this entity: The Holy Guardian Angel of Ceremonial Magick, The anima/us of C.G. Jung, the fylgja of Germanic lore, the personal god of Victor Anderson’s teachings, the spirit, the genius, the daemon, the double, the higher self of the new age and so on. So that I make myself clear the fetch, as I will continue to refer to it through the scope of traditional witchcraft and northern Germanic lore, is the true spirit of each person. I will go a step further into animism and state that each and every naturally occuring thing must have a fetch of sorts. The fetch is the portion of the soul complex that truly lives on after we are no more. It is what truly carries wyrd from life to life. As we have seen in the last chapter, the soul and the spirit must be different from each other, contrary to popular belief in the modern world. I also believe that many today that write on the fetch oversimplify what it truly is. The focus of much of the magical work that I have performed in my lifetime has been devoted to understanding the soul complex as it truly is, and in doing so I have come up with some similar, though sometimes decidedly different viewpoints on the functions and essences of these bodies.</div>
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The fetch is indeed the spirit, but it is just that a spirit. It is an entity separate from us, not merely our double or soul, as other works often claim. It is a spirit. We only exist because of it! The fetch is closer to the Truth of Godhead than we can ever be as human beings. It is a fragment of the “shattered” Godhead that can understand what it must do in order to restore the Godhead to wholeness. It is the guide that we must contact in order to fulfill the Great Work. It is our guardian, because it needs us to complete it’s work. It is everything to human life, indeed to life itself. In short, we need our fetch, but our fetch also needs us. Confused yet? Allow me to explain.</div>
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<b>A Brief Look Behind the Veil of “Reality” and the Meaning of Life</b></div>
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As I have already discussed, when the Godhead became aware of itself, in a way, it splintered or shattered. This gave rise to creation and evolution. The fetch, as a strand of Fate, is a portion of the Godhead, and thus close to the Truth, but not quite there. This entity knows what must be done to “end existence” as we know it and restore the Godhead to It’s original state of being (The True Great Work.) Each fetch is a guide to someone or something existing upon the physical plane of existence. For every lich, a fetch. The fetch guides it’s lich through life, attempting to guide the body in a way that will bring the Godhead closer to wholeness. To accomplish this the fetch affects the physical life, thoughts and decisions of the individual as much as it can to keep it on the proper path to accomplish what it must in life. This would be what we might call fate or karma. When something must be done in life, the individual may feel compelled to take a certain action. This is essentially Fate acting through the fetch to cause the individual to fulfill their fate. So the fetch is each individuals own personal emissary of Fate. Now, in less spiritually evolved persons the fetch will affect them exactly as mentioned above through “intuition.” In a normal human being this form of “intuitive contact” is rare and typically comes only at key points in the individual’s life. However, in individuals that have evolved mentally or spiritually beyond the normal human scope the fetch may have a more direct contact with them. This contact can be established either by the fetch or the individual, as in the case of a magician. </div>
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We have mention in mythology of the fetch speaking to heroes and magicians in their dreams. Sometimes this is done to protect the individual, sometimes to give them information. We also have record of the fetch preceding the lich in order to act as a sort of scout and protector. In addition we know that certain cultures believed that the fetch would reside near and protect the lich of an individual for anywhere from thirty to forty days following death. This may be a precaution in case the individual’s fate and affairs were unresolved and the soul needed to return to the body. We might interpret this as being what people today call a “near death experience.”</div>
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Going back for a moment we might ask, “How does the fetch know what must be done in the life of the individuals that it guides?” The answer is this, the fetch acts as a repository for all the combined fate, both hamingja and orlog, that is gathered throughout the lives that it has “reincarnated” in. This is how fate or “karma,” as many feel the need to call it in the occult today, moves from life to life. We have all heard of the idea that what one does in life comes back to them “in this life or the next.” This is the actual way that this phenomenon works. The fetch must resolve all of the fate that becomes attached to it so that it might return, fully, to the Godhead and let Fate be whole again. We now understand the meaning of life which many have wasted their lives attempting to discover, thinking it to be a more complicated conundrum. The meaning of life is just what is described above. The Godhead is not whole and must be whole again. Fetches are the workers that must see this task is accomplished. The fetch cannot resolve fate on it’s own, it is only spirit, it requires an entire “soul complex” to do it’s work. This is the reason that we exist. Midgard, or the physical plane of existence that we might call “reality” is the game board where fate is played out until the end of time. We are the game pieces, moved by fate through the fetch. In this way we help to shape the future of the universe by our “decisions.” Each action that is taken in life either resolves or creates fate/karma/destiny. </div>
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<b>The Three Faces of the Fetch</b></div>
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The fetch has three aspects normally associated with it in traditional lore. These three aspects have different ways of interacting with the human sorcerer or magician that attempts to speak with them. Each appears in a different way and has different “uses” within the magician’s practice. I shall describe the three faces of the fetch and their basic functions below.</div>
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<b>The Fetch Beast</b></div>
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Perhaps the most common aspect of the fetch is that of the fetch beast. This is the theriomorphic version of the fetch that might appear to the individual in the form of an animal. This animal may be one that the individual has always had an affinity for, this is sometimes the case for the magical practitioner. Other times the fetch of an individual appears in an unexpected form. Regardless of if the form is expected or not, the fetch’s animal form will be one symbolic of the life and fate of the individual that it is attached to. In fact we have classic examples of the fetch in the form of animals both real and imagined. Some examples of known classical fetches are wolves, owls, eagles, lions, dragons, crows and lynx. This is, of course, not an exhaustive list. I have seen confusion when it comes to this aspect of the being, as some seem to believe that the fetch beast is the witch in “flight” in the form of an animal. As anyone can tell from my previous description, this is far from the truth. This form of the fetch is that which most experience in otherworldly journeying and has given rise to the idea of an animal spirit guide. It may be noted that this is the portion of the fetch which is often seen as going forth before the individual as a protective guide. There is evidence of this in The Saga of Thorstein with the Cow’s Foot. In this tale Thorstein, while still a child goes to the house of his true family and trips as he enters a room. His grandfather happens to be in this room and tells him that he observed the child tripping over a white bear. We may do well to observe this shamanic view of the familiar as an animal spirit guide and note that this would seem to be the origination of the idea of the animal familiar. The god, Odin, was said to have had two such followers, his ravens, Huginn and Muninn (thought and memory, this should give pause to reexamine certain passages from the previous chapter.) Similarly, it was said that Aristeus of Prokennessos would send his spirit from his body in the form of a crow that would exit via his mouth when he would enter an ecstatic trance. The Finns have other such accounts that state that the henki may leave the body of a sleeper, via the mouth, in the form of a small beast, such as an insect or bird.</div>
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This portion of the fetch has, in certain cultures, been seen to dwell within the body of the practitioner released in animal form after death. This was true in Egypt where the spirit was seen as a bird which stayed with the body for a certain period of time. We also have evidences in Italian witchcraft of the spirit leaving the body of the individual through the mouth in the form of a red mouse, which has similarities to the story of Aristeus. This is interesting as the Carelians call this aspect of spirit the elohiiri or “vital mouse.” It might be noted that occasionally this form of the fetch would then attach itself to another individual, perhaps to transfer the power and fate of the previous witch into the body of another.</div>
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<b>The Fetch Wyf</b></div>
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The second major image of the fetch is that of the “fetch wyf” or “fairy wyf.” This would be a husband in most cases where the fetches of women are concerned. Traditionally this aspect of the fetch is seen to be a contra-sexual spirit of the person whom it guides. In fact the word fylgja literally translates as “the female follower.” In mythology we even have reference to this aspect of the entity coming in contact with the heroes of the tales. In some tales this aspect of the fetch is seen as being passed on, or attached to a family line, if the fetch has a great deal of fate in the form of hamingja attached to a bloodline. This is the truth about the idea of a family Bean Sidhe (banshee.) This can be clearly seen in the medieval tale of Melusina. The tale is a follows:</div>
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<i>Raymond, adopted son of Emmerick the Count of Poitou, went out hunting boar with his adopted father and retinue in the forest of Colombiers. Emmerick and Raymond road ahead of the servants and failed to kill the boar. They found themselves alone in this wilderness with night fast approaching, and being lost lit a fire to wait until morning to find their way home. Without warning the great boar plunged out of the wood and attacked the Count. Raymond drew his sword, but his first blow glanced off of the boars hide and struck Emmerick. The second blow struck home and the boar lay dead. Unfortunately Emmerick’s wound had also been fatal and both beast and count lay beside one another. In utter despair and temporary madness Raymond mounted his horse and fled the scene, not knowing where he was going.</i></div>
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<i>Eventually the wood thinned and both horse and rider plunged through the brush to find themselves in a moonlit glade. Mist flowed up from a natural fountain with a stream that murmured over a pebbly bed. Near the fountain sat three beautiful golden haired women in glimmering white dresses. At first Raymond mistook the women for angels and was prepared to kneel in their presence when one of the women approached him. This woman inquired as to why Raymond was so distressed, to which he recounted the dreadful tale of the evenings events. The woman told him that all he must do to avoid suspicion in the truly accidental death of the Count would be to return to the castle, as all of the other hunters have done. She assured him that the fault of the count’s death would fall on the boar, and not Raymond. </i></div>
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<i>Raymond believed her instantly but desiring her for her beauty found ways to prolong conversations with her until the break of dawn. Before dawn she told him that her name was Melusina and promised to be his betrothed, on the condition that she would spend Saturday’s in seclusion and that he would never venture to disturb her on that day, lest they be parted. Melusina then told Raymond that, in truth, she was a powerful water-fay and also possessed great wealth. She then asked that he request of his foster brother, Bertram, who would now be Count, a piece of land about the fountain that could be covered by a buckskin. He consented to this and did so straight away, upon returning to the castle. </i></div>
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<i>Bertram granted his foster brother’s wish, but was a bit agitated when Raymond used his cunning and cut the buckskin into threadlike strands from which he was able to make the skin cover a piece of land. Melusina used her magical gifts and created a magnificent palace in the spot that was decided upon. </i></div>
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<i>Soon after the two were wed in the palace. On their wedding night </i></div>
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<i>Melusina again implored her husband to not disturb her on her personal day.</i></div>
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<i>Raymond, again, readily agreed to this. Melusina expanded the</i></div>
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<i>borders of the palace until there were none so grand as could compare to it.</i></div>
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<i>She named this glorious castle Lusinia, after herself. </i></div>
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<i>In due time the Lady Melusina bore many sons to Raymond. All of these children were disfigured in some way. Two of these children were Geoffrey with the Tooth, whom had a boars tusk protruding from his jaw, and Freimund, who was very pious and entered into a monastic life. Most of the other children grew to become warriors and heroes.</i></div>
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<i>Years came to pass but Raymond’s love for Melusina stayed as strong as the first night that they had met. The fortune that had come to Raymond from Melusina spread to his real brothers and true father, the Count de la Foret. The Count spent the last few years of his life living with his son</i></div>
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<i>One Saturday night at dinner the Count enquired as to where the Lady went every Sabbath eve. Raymond said only that she was unavailable on Saturdays. One of Raymonds brothers then informed him that there was gossip to the effect that he should inquire as to the true nature of Melusina’s weekly retreats, if only to settle the wandering minds of the people. Raymond grew anxious at this news and rushed to Melusina’s chambers. All were empty save for a bath chamber which was locked. Raymond peered through the keyhole and saw his wife submerged in water, her legs replaced by a white and glimmering fishes tail. He immediately withdrew and never spoke a word of what he had done, for fear of losing his wife.</i></div>
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<i>One fateful day a rider bore news to the Castle that Geoffrey with the Tooth had attacked the monastery of Malliers, where his brother Freimund lived, and burned it to the ground killing one hundred monks and his own brother. Raymond was beside himself. Melusina attempted to comfort her husband, but he was so distraught that upon approaching him he exclaimed, “Away ye serpent who hath contaminated my most honorable lineage!”</i></div>
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<i>This gave him away and Melusina fainted. When she awoke she tearfully embraced her husband for the last time and asked that he care for the two young babes that she would be leaving in the cradle. She proceeded to tell him that though he would never see her again, she would be seen by all of his successors, hovering over the castle, whenever a new lord would come. With that she gave a long wail and swept out the window. It was later said that her form could be seen hovering above the castle each time a lord of the line would die.</i></div>
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We can see several telling points in the above tale which make it easy to translate as a tale of the fetch wyf. First and foremost, Raymond first sees Melusina at a fountain in the wild while in a state of distress. We can see that the state he is in at this time could send him into a trance state that he might not normally enter. The fountain that he discovers is possibly an entry point or gate to the underworld. It must be noted that waterways are traditionally seen as passages for spirits. When he meets her she automatically knows that he will not be blamed for the accidental death of the count, and that his foster brother will grant him the land that he asks for. This would be strange if she were not his fetch and already aware of Raymond’s fate. Melusina then lays down rules that Raymond must follow if they are to be “wed.” This is of course symbolic of the Sacred Marriage or Hieros Gamos, so often discussed in the occult, a topic that I have already touched upon. This is the true Sacred Marriage, the binding of the soul of the man and his fetch. It should be mentioned that such unions between a fey creature and a human being are common in folklore, and I believe them to be symbolic representations of the Sacred Marriage. </div>
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It would do well to understand that this story teaches us to listen to the advice that our fetch gives to us for living our lives. After the marriage Raymond lives quite happily, bringing wealth and comfort to his entire family. This, of course, is symbolic of being on the correct path in life and following one’s fate, never resisting what must be. When one’s fate is followed, all that one truly needs (indeed all that is intended for the individual) shall come. When Raymond goes against the wishes of his fetch, he attempts (unwittingly) to defy his fate. This brings about Melusina’s leaving and he is heartbroken. This is Raymond losing all that made him happy and content for moving against what has been laid down for him. Melusina returns to the shadows, never to present herself to Raymond again. In this way he has also been denied the realization of his fate. In the end Melusina seems to become the form of fetch that is attached to an entire familial line. This, I believe, is due to Raymond’s refusal to adhere to the advice he was given. This fate attached to his entire family (hamingja,) and so the fetch responsible for Raymond’s life attached to his decedents as well.</div>
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We can now see that this humanized aspect of the fetch is there so that we as human beings can identify with it in order to commune with it and, eventually, perform a true Hieros Gamos and wed our souls and spirits together. This is the true work of any witch, magician, sorcerer or occultist. In future chapters I shall provide methods by which this work can be accomplished.</div>
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<b>The Fetch God</b></div>
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The “fetch god” as I refer to it, is the third face of our fetch. It is by far the least relatable side to the human being. Oddly enough, when this aspect appears it is in the form of a geometric shape. This would give more credence to the theory that since there is not such thing in the (physical) universe as a perfect sphere then god (Godhead complete) is the only perfect sphere. Other spirits, such is this divine face of our own fetch, may appear as geometric shapes, but only Godhead can be a perfect sphere, for in it’s complete form it is the only perfect thing in creation. This is the face that acts as a direct repository of fate, and is closest to the godhead. It can sometimes be seen by those who possess “the sight” as a shape emerging or going out from the individual’s body, as if a protective shield. As the portion of the fetch closest in relation to godhead, it is the most difficult aspect for us, as humans, to deal with. Thus we tend to work more closely with the fetch beast and fetch wyf.</div>
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<b>The True Familiar</b></div>
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It should now be noted that the fetch is the true familiar. This is not to say that other familiars cannot be acquired by the practitioner, (in fact I shall deal with this subject later in the book) but that the fetch is our true familiar. As I had stated earlier, the fetch can be asked to perform tasks that we ourselves cannot accomplish. I am of the belief that tales of witches at the Sabbath receiving their familiar’s from the Devil is a code. This, I believe, is meant to be interpreted as the witch being taught how to commune with the fetch, either by the coven’s magister, or by the Master himself while in trance. There are an abundance of tales of the Devil bestowing a familiar upon the witch. In these tales, and in the old “witch hunting” manuals, there were strange hybrid creatures that would appear as familiars, giving testimony to the fact that not all fetches fashioned themselves after real animals. One example of this was in the testimony of the witch Jane Wallis. Wallis claimed that the Devil had granted her two familiars, Grissell and Greedigut, whom came to her in the form of dogs with the bristles of hogs upon their backs. In the instance of Bessie Dunlop she was granted a familiar whom she called “Tom Reid” who appeared in the form of a contra-sexual human being. In the case of Isobel Gowdie, she named the familiars of her entire coven and all seemed to resemble contra-sexual fairies. There exists an old woodcut from 1579 that depicts a familiar in the form of a hedgehog/owl hybrid.</div>
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It was said that a witch had to “feed” the familiar as we know that fulfilling fate does. This, however, was taken literally and it was said that a witch would have a teat or mark upon their body that the familiar might suckle. This mark was said to have no feeling in it and the belief led the “witch finders” and interrogators to prod and prick the bodies of supposed witches to attempt to discover the mark. I believe this to be symbolic as well, or misunderstood. I believe that this is a reference to the “witches mark,” or “Mark of Cain” which demonstrates that one is destined to work with the spirit world. This would lead me to believe that those with the “mark” would be destined to seek spiritual council and in turn work directly with the fetch. </div><div style="text-align: justify;"><br /></div>
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In conclusion the fetch is both guide and companion to the magician, witch and occultist. It can be communicated with and acts as a teacher, friend and colleague. It, as other spirits, can be asked to do one’s bidding, but this is not the true purpose of the fetch. The true practitioner of the magical arts seeks to learn spiritual mysteries from the fetch and to forge a bond with it. This bond, of course, is the Hieros Gamos and the methods by which it can be achieved will be covered in future chapters.</div>R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-53653289281165207672010-08-05T18:52:00.001-07:002022-03-02T06:41:44.194-08:00The True Human Soul Complex or the Anthropology of Mankind<div style="text-align: justify;"><span style="font-size: large;"><i><span style="font-size: small;"> This is to give the student a basic idea of how the human soul complex works. The samples from cultures outside of traditional Germanic culture are given as approximations only, to give a basic point of reference to those</span></i></span><b><span style="font-size: large;"> </span></b><span style="font-size: large;"><i><span style="font-size: small;">readers who may have experience with these.</span></i></span></div>
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<b><span style="font-size: large;">The True Human Soul Complex or the Anthropology of Mankind</span></b></div>
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Perhaps nothing that we know of in occultism today has been more trampled underfoot and mangled than the concept of the human spirit and soul. The idea of the soul as it was understood in antiquity has been butchered, destroyed and oversimplified in the modern world. This is much the fault of the simple literalist beliefs that plague the world today. Even in their meager beginnings religions such as Christianity and Islam had very deep and profound views of the soul complex, that is to say in their mystical incarnations. Yet, due to the mass of literalist belief, the mysteries of the soul have been nearly lost. This is in large part due to the fact that it is very comforting to the masses to believe that if they ascribe to the wrote teachings of a particular faith and accept it’s gods, that they will have to do little else to gain “salvation” or life eternal in some paradise. To the witch and the occultist, however, this may seem a far fetched idea, as the wisdom traditions do not allow for such a simple concept to exist in what we know to be reality. Alas, even much of what is being called “occultism” and “witchcraft” today contains watered down misunderstandings of the soul. While I can, to a degree, agree with such concepts as the astral body and aura, in my own understanding, I see what is passing for these subtle bodies today to be an oversimplification of the true mystery that lay behind them. <br />
I propose that an understanding of the ancient views of the anthropos, as it was called in the Hellenistic world, is one of the great keys to the Mystery. The anthropos, or the entire makeup of the human being is what we might refer to today as a soul complex. The study of which would be anthropology, as opposed to the study of anthropology being the study of mankind’s beliefs and culture. Anthropology, for our purposes in this chapter shall be used to denote the study of the anthropos. <br />
As I have already stated the anthropos is seen in terms far to simple to do it’s true splendor justice today. It is often seen as the body and the soul, or occasionally as “body, mind and spirit.” While the latter may hold a glimpse of the truth, that actual anthropos is much deeper and more complicated than this. I theorize that western culture today is lacking in this area of knowledge due in part to two things. The first of these being the wide spread literalist slave beliefs, not to say that the ancient world had no literalist religions, only that the Mystery faiths were more widespread as well as philosophy. The second of these, and perhaps the greater reason, being today’s secular media based lifestyle. Simpler views of the soul would seem better in a populous that cares more for watching reality television and blindly accepting either secular science or literalist views purely out of laziness and lack of study. <br />
It is this author’s view that it is time for the witches and occultists of our day to gain a proper understanding of the anthropos and the role that it plays in the universe and learn how this understanding can impact our lives and mystical practices. Remember that one of the keys to the Mysteries is “know thyself.” We cannot begin to know ourselves unless we have an understanding of our whole self. I shall define each of the parts of the soul complex using the Germanic form of the part, as this is how I had first learned this system, but I will also include cross references from both Hellenic and Egyptian models as well. I shall also give, in brief an analysis of how each part can be seen in the modern light of the following four bodies: physical, mental, ethereal and astral. It may be worth noting that in some circles these four bodies are viewed in the symbolic guise of the four evangelists: Matthew, Mark, John and Luke. In this light I invite you to decipher the bodies in astrological terms (that is to say in their guises as a man, bull, lion and eagle) if you so wish, to gain a deeper understanding of their function. It is up to the reader to look at the astrological correspondences on their own, as it is not my intent to dawdle on such here, only to give this remark to encourage further research.<br />
I give these comparisons to give perspective to those that may be familiar with these four bodies in modern occult philosophy but have not experienced the ancient views of the anthropos. Most of what I present here, I have learned through study and my sources are contained in the bibliography. Some material however is additional and I have gained by conjecture and personal magical work. The Egyptian variations are not always completely identical to the definitions that I provide and in several cases are only loosely comparable. I encourage any student who wishes to learn more about these concepts to study Egyptian Anthropology by itself as well. Some sources for this material may be found in the bibliography.<br />
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<b>Mod/Self</b> (<i>the ego; Mental Body</i>)<br />
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This is essential self awareness, our entire being’s awareness of itself. Mod is the whole of the “self” or rather the completion of the soul complex, properly aligned. In the modern world this self awareness is often only seen in physical and mental terms but there is a spiritual entity, the fetch which shall soon be explained in depth, that is aware of this “self” as well. These twin modes of self awareness make the entire anthropos a model of the self awareness that the Godhead experienced at the dawn of creation. This means that each individual human being is essentially a microcosmic model of the cosmos as a whole. Interestingly enough this gives a strange level of validity to the passage in the Book of Genesis that states that we are made in God’s own image.<br />
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<b>Lich/Lyke</b> (Hellenic: <i>demas/soma</i>; Egyptian: <i>ha/djet; Physical Body</i>)<br />
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The Lich is the physical body. This is the most basic portion of the entire anthropos. It is also a very necessary part of the complex. Without the physical realm that we all dwell upon called Middle Earth, no part of Fate could ever be resolved and the chaos of the physical realm would be eternal, leaving Fate, the Godhead shattered. Thus the true Great Work would never be completed and all would be for naught. This “crude” physical matter, which many spiritual traditions wrongfully preach to be worthless in the grand scheme of things is in fact the vehicle by which spirit resolves it’s wyrd and moves closer to a reunion within Fate or the Godhead. The ancients did not share the views of many modern religions when regarding the physical world. Indeed by adhering to certain ethics and codes of conduct such as the Nine Noble Virtues of Asatru, or discovering other mytho-poetic variations of these within mythology we experience a spiritual and mystical lifestyle even in the secular world. This, of course, should be an aspiration for true mystics and magicians. There is no division between the physical and spiritual in true western and northern occultism. The Egyptian djet was also used to refer to the inner self of the person. The Hellenic soma was also used to refer to the bodies of the dead. <br />
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<b>Hyde</b> (Egyptian: <i>sheut [shadow] Ethereal Body</i>)<br />
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This is a quasi-material body which may be seen as having a rough shape resembling the lich. This is what we today might refer to as an ethereal body. I have often seen it used interchangeably with hamr which I shall speak of soon, but have seen the two to be separate, the hamr being reliant upon the hyde. The hyde is possibly what is today identified, and simplified, as the “aura.” It is the seat of power within the soul complex. Victor Anderson made claim that this body would appear to be the sex opposite the physical body, though I have not seen evidence of this, and I believe that this may have been confused with the concept of the fetch. <br />
There is a portion of the hyde that is variously noted as hamr, which portrays a bit in the way of a seat of power and corresponds under this notion with the Egyptian heka or more loosely to the eastern concept of chi.<br />
This is the portion of the soul complex that works magic and leaves the body in spirit travel. The practitioner who works in the otherworlds sends this portion of the soul complex “out of body” via the athem to perform otherworldly workings or join in the True Sabbat. Some would say that this is the work of the fetch, but my opinion differs and shall become clear when I discuss said spirit shortly. We also tap into this power when we use any form of magic.<br />
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<b>Hugh</b> (Hellenic: <i>thymos; Mental Body</i>)<br />
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This is one half of the mind. Hugh is the intellectual and logical portion of the anthropos. By this part of the soul do we learn and grow. By this do we understand and make sense of the world around us, both seen and unseen. This is the seat of worldly knowledge and experience and is thus important to the resolving of fate. This might also be seen as the seat of the conscience, as it encompasses the ability for rational and ethical thought. It is this logical portion of the mind that begins to take hold in the mind of the true initiate when they begin to become something “more than human” and replace emotional responses to all that happens with rational and logical ones. It does so in the advanced magician or witch by taking hold of other areas of the mind and soul complex. This is made possible because the hugh is in fact the seat of the will. Being both the seat of the will and the intellect it should be easy to see that this is the portion of the soul that allows for personal gnosis, though for retaining knowledge it is co-dependent upon the myne, which shall be discussed next. It is strange that while I equate the idea of hugh with the idea of thymos, the thymos actually appears to have been a seat of both thought, will and emotion. If it is truly the seat of emotion as well, it is easy to see how the logical side of the advanced magician can become the more powerful side of the hugh. Hugh coordinates with the left brain in scientific terms.<br />
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<b>Myne/Minni</b> (Hellenic: <i>nous; Mental Body</i>)<br />
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The myne is the archetypal “well of memory.” It governs and holds memories both mental and spiritual. That is to say the myne is a storehouse of memory both of this life and of the ancestral and universal memories found in the collective consciousness. Here are stored the mysteries. The myne collects the significance of symbols, both physical and otherwise that are found in the old lore. It is for this reason that a person may be inexplicably compelled or drawn to a particular animal, symbol, faith etc. The myne feeds us information sent to us by the fetch through the athem, both of which I shall discuss. It is the co-working done between the hugh and myne that allows for our true intellect and our function in the universe. As a bit of lore, the Hugh and the Myne are represented in Germanic mythology as Odin’s ravens Huginn and Muninn. Myne coordinates with the right brain in scientific terms.<br />
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<b>Athem/Ond</b> (Hellenic: <i>pneuma</i>; Egyptian: <i>ka; Spirit Cord</i>)<br />
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The Athem is the spirit cord, divine spark or “breath of life” which flows through us. These cords, which all things possess are the “Threads of Fate” which tie all things together. It is when these “threads” cross that we become attached to another being or thing and thus generate more “fate” (understood by most modern cultures as karma.) It is the series of all athems which bind all things together in the great tapestry of Fate. It is both a completion and destruction of the tapestry, by resolving all fate that we shall finally achieve the Great Work as a universe and allow the Godhead to be whole again. Each athem by itself also binds together each part of the individual anthropos. It is through the athem that we make contact with entities of spirit and, indeed, our own spirits. This is because the athem is in constant contact with the spiritual forces of the universe. It is interesting that the Egyptians seem to have believed that life ended when the ka left the body, which seems to support our analysis here. <br />
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<b>Wode/Odr</b> (Hellenic: <i>mania; Inspiration</i>)<br />
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Wode is inspiration, as well as a state of mind or state of ecstasy. This force is responsible for the inspiration of the artist, the ecstasy of the magician and the rage of the warrior. This is a very important faculty in our lives as it allows the occultist to perform his work and the writer and artist to dream new worlds when used properly. Experience of this as an ecstasy is a dangerous thing if not properly integrated into the life and soul complex of the individual. It can lead one to live in a maddening fantasy of only inspired works and leave one in depression and desperation in their secular life. This can be seen through history when we look at the tragic lives of writers and artists such as Hemingway and Poe. <br />
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<b>Sal/Maegen</b> (Hellenic: <i>psyche</i>; Egyptian:<i> ba</i>; <i>Astral Body/Soul</i>)<br />
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Here we come to the true soul of the anthropos. This is a life force or vital force, aside from the athem, which encompasses the entire essence of the anthropos fully formed. This body does not truly come into play until after death in most persons. In life this aspect is typically passive and records the deeds and experiences of the individual. Lore would suggest that this part of the soul complex then lives on in the underworld or with the gods. My belief on this differs greatly, as I have seen evidence, both literary and in the form of mystical gnosis, that would say otherwise. It is my belief that this soul is the life force supplied from the planet, or more accurately the universe, and is a part of the power that runs through it. Most would understand this as ley lines or earth energies. It is my belief that when the individual dies, this soul returns to this current as earth power once again and brings the imprint (in the form of the hyde) of the deeds done in life with it. This accounts for the Well of Memory in which the ancestral memories can be viewed. After death, this imprint of the self is what is summoned and communed with via necromantic rites. This being the reason that people seem to think that we “live on” in the underworld. I will speak more on this phenomenon in a future chapter. <br />
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<b>Hamingja</b> (“<i>Luck”</i> or <i>Inherited Fate</i>)<br />
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Hamingja is one’s personal “luck” as it were. In the past it was often portrayed as a double of the body. It is what many today might call karma and can be changed, for better or worse by one’s own decisions in life. In reality this and Orlog, which I shall cover next, make up what others might call karma and what I would call personal fate or destiny. Some of what we call Hamingja is actually inherited from ones family. This meaning that actions taken by family members in the past (both living and deceased) have a ripple effect which is passed down the line, much as our DNA is passed on. Thus we should live virtuously so that we pass on no dishonor to our own kin or future generations. It can also be passed on consciously from one individual to another, as in a ritual passing of power. It will only be temporarily passed unless it is somehow bound to the recipients own fetch. Hamingja, in my experience is also transferred by personal association. This may seem strange, but the company that you keep and support most certainly affects your own life. If a friend lives in a dishonorable way and you continue to support the friend, even if it does not reflect your own lifestyle, are you not just as accountable as said friend. Even in passing daily occurrences we should be careful of who we are friendly with, and just how much information we give about ourselves and others to complete strangers. Even a little bit of knowledge about yourself given straight out to someone ties their fate to your own, though maybe not in a drastic way.<br />
This is a good reason to use what the old Magister of the Clan of Tubal Cain, Robert Cochrane, referred to as “gray magic.” This is a method of social disguise, giving those you do not know or are unsure about little information so they develop a somewhat confused idea of who you are, so as not to link yourself to closely with them until you are certain that they are truly honorable people. Sadly, even this is sometimes difficult to do, as there are people who can be hard to judge until it is too late. The easiest way to better ones hamingja is to follow a good code of ethics. I personally like the “Nine Noble Virtues” used in modern Asatru. I find this to be a very complete ethical system and abide by it as much as I can. I will provide a short description of this list in the appendices of this book. Also, encouraging honorable and virtuous behavior in one’s family and friendships and frowning upon dishonorable behavior is helpful, but one must remember to lead by example. It should go without saying that hamingja is shared on a deeper level between those who chose to marry, as the bond is a willing decision to take on all aspects of the other.<br />
All of this also means not supporting dishonorable behaviors in entertainment either, as many other people looking at the same entertainment are often given to follow what they are exposed to, as it were. In today’s modern world of “reality television” and gossip mags and televison, these things are best avoided. The gossip or tabloid shows and magazines have always made their money by exposing things about people that they would most likely rather have kept to themselves. They are horribly dishonorable with their paparazzi and ambush tactics, not to mention the very word gossip. Reality T.V. on the other hand typically promotes terrible unethical behavior and schoolyard hate games and backstabbing, all to make money. Believe me, supporting such industries most certainly affects you and, if you are a supporter and watcher/reader of such “entertainment” it is likely a cause for some of the ills in your life. Such things are not the “way of the gods.” A true witch or magician could not truly excel with such mindless dishonor as a part of their entertainments. A last note here is to keep yourself out of relationships with people who cannot abide by good virtuous behavior and honorable lifestyles, as this will, in the long run, affect your own life.<br />
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<b>Orlog/Orlaeg</b> (<i>personal wyrd/fate</i>)<br />
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Wyrd itself is Fate, the web of all things that were once whole. Orlog is the ever changing threads which are found in the athem. It is the fate of the individual itself. Orlog affects hamingja and vice versa. The hamingja bears the orlog in this life. By fulfilling and bettering the hamingja, one takes care of orlog. This in turn “feeds” the fetch, or spirit, by fulfilling fate and bringing the fetch one step closer to completing the true “Great Work.” So it would seem that Orlog is the transmitter of wyrd to the hamingja and that by improving hamingja one can create a better wyrd for the future.<br />
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<b>Fetch/Fylgja</b> (Hellenic: <i>daimon</i>; Egyptian: <i>ka</i> [the ka would appear to double under two of our distinctions of the soul complex;] <i>Spirt Body</i>)<br />
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The Fetch, also called the Holy Guardian Angel, Higher Self, Personal God, etc. is a spirit which is bound to each individual in life. It’s goals are the true purpose of our existence and hold the key to the meaning of life. It is such a vital and complex part of the soul make up that I have decided to devote the following chapter to it, rather than include it in with the parts which make up the human being.</div>
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<br /></div>R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-38885399390710253192010-07-25T18:31:00.001-07:002022-03-02T06:41:56.172-08:00Origins of the Word "Witch"<div style="text-align: justify;">The origin of the English "witch" may be the Indo-European (IE) root word weik, having to deal with magic and/or religion. From weik we get four different derivatives of the word. The first derivative is the word wih-l, which in turn begat the Old English words wigle and wiglera, meaning sorcery and sorcerer respectively. These words are also the root of the word guile. The second derivative is similar in spelling to the first and is the Old Norse wihl, meaning craftiness. The third is wik, meaning holy. From wik comes the Middle High German wich, having the same meaning as its root word, derived itself from the Old High German wihen. The fourth derivative of the word is wikk, meaning magic or sorcery. From this comes the Middle German wikken, meaning to predict. Wikk also begat the Old English wicca and wicce (respectively pronounced wee-cha and wee-chay, roughly, I am no linguist.) These words pertaining to a practice comparable to Seidr, wicca being the masculine variant and wicce the female. From these words is the verb wician, roughly meaning to work sorcery. Wicca then begat the Middle English witche and from this our modern witch.<br />
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It should be stated that if one wishes to practice what can truly be called witchcraft it will be a mystical path of Germanic, or at the least IE, origin. This is not to say that it will be of a pure strand of Germanic or IE based paganism, as true traditional craft would vary from locale to locale and pick up many magio/spiritual practices along the way. Nor is modern witchcraft called "wicca" necessarily "witchcraft." This is not to say that modern wicca is not a valid path and religion, but it is wicca, not witchcraft in a traditional sense. Much of modern "witchcraft" and wicca is derived from ceremonial practices, such as those of the Golden Dawn. While this is fine by itself, it was something of the unknown to the practitioners of wicca (Saxon usage,) a Germanic path.<br />
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As a final note I will discuss the idea that wicca is a word that means to bend or to shape. This idea has its root in fact, to a point. The Old English word (no doubt derived from the same root as those words discussed above) wican, did, indeed, mean to bend. Related words are the Old Saxon wikan, the Old High German wichan and the Old Norse vikja. All of these words having the meaning to bend. <br />
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It may also be noted that the practice of traditional wicca and wicce (Saxon uses here) and Medieval Witchcraft (the origins of the craft in many of the forms that we know it) are derived from Galdr and Seidr (mentioned above) and are the Saxon variants of these. Thus the path of the Helrunar and the Haegtessa are far closer to Traditional Witchcraft than most modern "Craft." "Witchcraft" in it's origin was very much a religion, first and foremost, and it's practitioners were "mystics" and "shamans" in a sense. This should be noted, for folk magic and witchcraft are not one in the same, as believed by many, though the former is practiced by those of the persuasion of the latter. Nor are modern wicca and old craft truly the same, as believed by others. That said, modern traditional witchcraft only bears a passing semblance to what would have passed for craft in times before. And that, as they say, is that.</div>R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.comtag:blogger.com,1999:blog-4491210297414732381.post-12904278860280671442010-07-25T18:24:00.001-07:002022-03-02T06:42:09.228-08:00The Occult Significance of the Crossing Rite<div style="text-align: justify;"> <br />
The Sign of the Cross, the Hammer Sign, the Qabalistic Cross; enigmatic and essential rites within the mystical systems that they originate from. Often such rites are used to begin a greater rite or petition. Other times the crossing of the self has been used for protective purposes. Yet at other times the sign is used as a blessing or to seal power. While often thought of as a Christian rite, the sign of the cross goes far beyond the overly simplified version that so many are accustomed to: “In the name of the Father and of the Son and of the Holy Spirit, Amen,” so often used by these faiths to begin and end prayer. According to Catholicism the sign of the cross is a blessing and joining of sorts. The “joining” means the binding of the mystery Holy Trinity with the mystery of the Redemption. This then encompasses the entire essence of life, through to the end when a soul is joined in eternal life with Christ. The rite breaks such boundaries in it’s occult usage, as we shall observe in the following analysis.<br />
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The Qabalistic Cross<br />
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Perhaps the most common of the occult usages of the Sign of the Cross is that of the Qabalistic Cross, initially used by the Hermetic Order of the Golden Dawn. This variation of the crossing rite is often tied to the Lesser, Greater or Supreme Banishing of the Pentagram Rituals. In this variation of the crossing rite the practitioner will stand, often facing east, though it is my opinion that this direction may be altered depending upon the rite that it accompanies, if any. Facing the chosen direction the practitioner will proceed through the following steps:<br />
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1. A brilliant light is visualized above the practitioner’s head. The practitioner reaches up and touches this light with the index finger or the tip of a ritual dagger. The light is then dragged down to the forehead<br />
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2. Touches the forehead and intones “Atah” (Ah-tah, meaning “thou art.”) The hand is then brought down to the center of the breast<br />
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3. Touches breast, in the center but near the heart while intoning “Malkuth” (Mahl-kooth, meaning “the kingdom.”) The light is visualized as descending down from the forehead to the feet. The hand is then moved to the right shoulder.<br />
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4. Touches the right shoulder and intones “ve-Geburah” (v’ ge-boo-rah, meaning “the power.”) A point of light is visualized at this spot. The hand is then moved across to the left shoulder<br />
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5. Touches the left shoulder and intones “ve-Gedulah” (v’ ge-doo-lah meaning “the glory.”) The light is seen as moving from the right shoulder to the left. It bears mentioning that ve-Gedulah is sometimes interpreted as Chesed or mercy, as opposed to glory.<br />
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6. The hands are then brought together, as if praying, on the breast and the practitioner intones “Le-Olahm, Amen” (Le-oh-lahm, ah-men meaning “forever, unto the ages.”) <br />
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This technique has it’s roots with the Qabalistic tree of life. Indeed, each point of this cross has it’s origin within one of the sephirah of the tree of life. In addition each of these points is directly connected to one of the four classical elements so often invoked in Ceremonial Magick. The first point Atah or “thou art” is connected to the sephirah Kether or “I am,” and also to the element of air. It also refers, in this instance, to the spirit or higher genius of man. The sphere of Malkuth or “the kingdom” is linked to the element of earth. This point is in reference to the physical body. Ve-Gedulah or “the power” is related to the element of fire. Ve-Geburah or “glory” (it is important to remember that it may also be “mercy”) is related to the element of water. These two points are also in reference to the polarities of man’s ego, as well as the light and dark pillars of Solomon’s temple. We can begin to see all of the polarities apparent in this rite. All of these polarities become balanced when the hands are brought together upon the breast.<br />
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So, though we may see a similar method to the Christian Sign of the Cross, we begin to see a far deeper ritual. One great difference to be noted here is the reversal of which shoulder is touched first between the Christian cross and the occult crosses. This is because the goal of the occultist and witch is to make a connection with “god” thus we might look upon “god.” This is contrary to the Christian view that God cannot be viewed from the front, and thus our crosses are reversed so that the occultist approaches their “god” from the front while the Christian and non-initiate approaches God from the rear, so as not to look upon the face of God. This entire philosophy goes far deeper than this involving the Tree of Life as God’s front or backside, but that could be an entire entry in itself, and I do not wish to weigh down this work on the crossing rites with such things.<br />
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This last bit of information should have given away that a great part of the crossing rites is meant to connect one with “god.” More on this will be revealed soon, but first there is another aspect of this crossing rite that is shared with the Christians. This may be something that is ready to burst from the mouth of any Catholic or ex-Catholic at this very moment! You may have noticed that the spheres reflect the occasional last lines of the so-called “Lord’s Prayer.” “For the Kingdom, the Power, and the Glory art Yours, now and forever, Amen,” or in the instance of our study “Thou Art the Kingdom, the Power and the Glory (mercy?) forever until the end of time.” What does all of this mean? It is a simple invocation and communion to what the magician/witch is reaching up towards in the beginning of the rite, but I shall reveal more on this later. As for now, there are other such rites to be examined.<br />
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The Hammer Sign on the Body<br />
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This is a crossing rite used in certain branches of modern reconstructionist Germanic Heathenry and Asatru. It is a rite that is meant to be used as a daily empowerment and blessing, as I had learned it. It may also be used by the practitioner at the beginning of any ritual. The core form that I shall display here utilizes a standard theological pattern. The rite is performed thusly:<br />
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1. Envision a bright ball of light floating about two feet above the head. The hand is reached up and the light is grasped and pulled toward the forehead. Touch the forehead and say “Tiw.” The hand is then brought down to the top of the sternum (or occasionally the mouth) <br />
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2. Touch the top of the sternum (mouth) and say “Woden.” The light is then drawn further down the solar plexus<br />
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3. Touch the solar plexus and say “Thunor.” The light is then drawn to the left shoulder<br />
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4. Touch the left shoulder and say “Frey.” The light is then drawn across to the right shoulder<br />
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5. Touch the right shoulder and say “Freya.” <br />
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The same pattern and, to a degree, the same desired effect can clearly be seen in these two rights. The obvious difference (outside of the use of Germanic deities in place of the spheres) being that in the Hammer Signing we have the center invoked as the second step in the process, as opposed to being the final step. The balance occurring in this rite at the crossing point in the end when Frey and Freya, “Lord” and “Lady,” are invoked on the opposite shoulders. It is simple to see this brother and sister invocation as a the balancing portion of the rite. A second difference in this rite is that the power drawn from it is meant to be drawn from the deities invoked in the process. Thirdly, it will be noted that the shoulders are touched in the opposite order in this rite. But what do the similarities in the rites mean, what is the luminous source envisioned above the practitioner and just what is the true intent of the crossing rite? These are the questions that I set about to answer and so I shall answer them, in due time. First let us observe the crossing rite of certain witches.<br />
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A Witches Crossing Rite<br />
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The crossing rites that I have come across as used by witches are a different than these others variants in that they are more simplistic in their nature. In fact the simplicity of the rites often borders that of the modern ley Christian variant that I had listed above. Indeed, I have often seen these rites, as used by witches, claiming only to offer protection, not a far cry from the Christian symbolism at all. These often go something like this:<br />
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1. Touch the brow and say: “In the name of the Lord”<br />
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2. Touch the navel and say: “And of the Lady”<br />
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3. Touch the right shoulder “The Darkness”<br />
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4. Touch the left shoulder “and Bright” <br />
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5. Says: “Wisdom and Power of Fate’s Hand.”<br />
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One can see basic differences in that this crossing has no internal visualizations. This might mean that there is less contact with anything outside of the internal self and that which is specifically invoked in the crossing. This would, to a degree, defeat the higher working of the crossing rite, as I shall reveal as we progress. The following sample is one that I utilize in workings of witchcraft and have incorporated into group workings as well. <br />
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1. A luminescence is envisioned floating above the practitioner’s head. The practitioner reaches up, preferably with the left hand, to touch this. The hand is brought down, drawing with it the light, and touches the forehead. The practitioner says: “In the name of the Master.” The light is then drawn down to the navel.<br />
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2. Touches the navel and says: “and the Dame.” The pillar of light is envisioned as descending down through the body and into the ground. The light is then drawn to the left shoulder.<br />
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3. Touches the right shoulder and says: “and the Shadow.” The light is drawn across to the right shoulder.<br />
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4. Touches the left shoulder and says: “and Light.” <br />
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5. Says: “Holiness of the Wane and the True.” <br />
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We can see that this variant is much closer to the first two that we have studied. The rite also tends to serve the same purposes as far as balancing goes. This rite is most often used at the beginning of, or in prelude to, the drawing of the compass or ring of art. All of this explanation and we are yet again left to wonder at the basic mystery of this rite. Yet before answering these questions, I would like to cover a bit on the “lower” uses of the sign of the cross to bless, protect and bind.<br />
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A Basic Miscellany of Crossing Gestures and Their Intent<br />
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Let us begin with the now familiar “Hammer Sign.” The sign of the hammer is used not only in the above right, but is drawn in the air as a sign of invocation. It is also used as a blessing and protective gesture, in much the same way that a Christian might use the sign of to cross for the same reasons. This variant often has a shorter “foot” extending from the bottom of the “hammer” than that of the variation which crosses the body. The cross might be used in a similar manner by practitioners of other occult arts and does have a wide range of uses in the folk tradition.<br />
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Let us take, firstly, the old Irish example of crossing the mouth when yawning as a precaution against evil spirits from entering the mouth and taking possession of the body. <br />
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There is an old Anglo-Saxon charm from the 10th century which was intended to protect a horse from harm (especially that which was brought about by elves) and called for the physical scarring of the sign of the cross upon the body of the animal. A knife with a yellow horn handle taken from an ox, and inscribed with the words “Blessed Be all the works of the Lord of Lords.” The horn is shod with three nails and knife taken before the animal in question. The sign of the cross is then inscribed (cut) into the forehead, spine and as many limbs as can be reached. The left ear is then pierced. The horse is then hit upon the back with a “wand.” All ills, and especially those caused by elves, will be cured and the horse will be protected. <br />
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According to Bald’s Leechbook mugwort should be picked before sunrise, accompanied by a magical incantation and blessed with the sign of the cross as it is picked. The plant is self being said to have the magical properties to drive away and protect from evil spirits.<br />
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According to the Anglo-Saxon Land Ceremonies Charm the sign of the cross can be used to hallow, protect and sustain the land that it is drawn over during the rite. I, myself, continue the practice of this charm, including the use of crossing during it. I have substituted a triple crossing in place of the single crossings originally found in the rite. The triple crossing technique is one used by modern witches and, I have found, is typically used to hallow or seal power within an object, place, etc. Now that I have shared these simple spells, I will explain the greater mystery that I have been putting off in the whole of this analysis. <br />
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The Mysteries of the Crossing Rite<br />
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Now we shall investigate into the meaning behind the crossing rites that we have studied. We know one of the mysteries already, that of the balancing act of polarized powers within the self, yet there is another balance occurring here as well. This second balance is four fold. You will remember when learning about the Qabalistic Cross that each point corresponded to one of the classical elements. Each element philosophically corresponds to one of the elements of the periodic table. They can be seen this way:<br />
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Air = Oxygen<br />
Water = Hydrogen<br />
Fire = Nitrogen<br />
Earth = Carbon<br />
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Here we see the balance made on a physical level, dealing with our carbon bodies. From this we begin to understand that we are bringing about three fold balance in the self. The two-fold balance of the ego/mind/soul and the four fold elemental balance of the physical body. You may be saying to yourself, “What is the third balance?” though it may already be clear to you. <br />
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The third is the balance of spirit. This of course is not the spirit in the sense that most of the uninitiated would speak of, but rather the higher spirit that all mystics strive for communion with. I am, of course, speaking of the fetch, holy guardian angel, personal god or higher self, as it has variously been called. This is the entity whose fate is the reason that you live, though the philosophy of this is best left to a separate work. The fetch, as I shall refer to it from here on, is the guiding entity that the mystic must connect with to truly begin to understand Fate and the universe. It is through communion with this entity which all of us are governed by that we might attain inner peace and enlightenment. It is also through this communion that we might gain true inspiration from the personal Muse. <br />
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The Master of the Feri tradition of witchcraft, Victor H. Anderson put forth the idea that this entity, which he termed the “personal god” and “overself,” lie in an area floating above the head. He also stated that through this entity we could get a glimpse of the “cosmic mind” (Fate to the witch.) This is the entity that watches over and guides us through life. So, now things begin to become a bit clearer! The true goal of crossing rites is the balance of mind, body and spirit. Beyond this balance there is the greater goal of communion with the fetch. Many magicians seek to find ways to hold communion with this entity, yet the truth is that they are already experiencing a brief communion with it each and every time that they perform their variant of the crossing rite.<br />
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Now that this mystery has been revealed, the reader is armed with an arsenal of crossing rites to aid in the communion with the fetch. Using the crossing rite in this way can be very effective when combined with a communal (symbolic) feast such as the sacrament of bread and wine if it is offered up directly for communion with the fetch. In this way I find the Qabalistic Cross technique to be the most effective, as the proper symbolism is already inherent in the words that are intoned. Do not worry about other symbols in the Qabala, it is only important, for our purposes, that the practitioner understand the words being used within this rite, and understand there depth in relation to the communal variation of the rite. Once the communion has been made and a working relationship with the fetch is established one can call upon this spirit when performing the crossing rite to extend into the otherworlds and into the universe to retrieve other mysteries and to make contact with other spirit entities. In conclusion, we can see that the crossing rite, in it’s many forms, is invaluable to the witch, magician and occultist. And that, as they say, is that.</div>
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Bibliography<br />
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Victor H. Anderson - Etheric Anatomy - Acorn Guild Press<br />
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Rev. Maurus Fitzgerald, O.F.M. (Ed.) - Catholic Book of Prayers - Catholic Book Publishing Corp.<br />
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Dom Robert Le Gall, Abbot of Kergonan (author,) Ian Monk (translator) - Symbols of Catholicism - Barnes & Noble Inc.<br />
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Bill Griffiths - Aspects of Anglo-Saxon Magic - Anglo-Saxon Books<br />
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Paul Huson - Mastering Witchcraft - G.P. Putnam’s Sons<br />
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Nigel Jackson - Call of the Horned Piper - Capall Bann Publishing <br />
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Nigel G. Pearson - Treading the Mill - Capall Bann Publishing<br />
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Stephen Pollington - Leechcraft, Early English Charms, Plantlore and Healing - Anglo-Saxon Books<br />
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Israel Regardie (author,) Chic Cicero and Tabitha Sandra Cicero (authors/editors) - The Middle Pillar <br />
third edition - Llewellyn Publications<br />
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Edred Thorsson - A Book of Troth - Llewellyn Publications<br />
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Edred Thorsson - The Nine Doors of Midgard - Llewellyn Publications<br />
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Lady Wilde - Irish Cures, Mystic Charms & Superstitions - Sterling Publishing Co.R.J. Thompsonhttp://www.blogger.com/profile/17096180855518446449noreply@blogger.com